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  • Neal White
    Neal White works across media, and in no particular medium at all – creating projects with the Office of Experiments that develop collaborative, social and critical spaces using art methods and art materials. His work operates along the fine line
  • On-line and on-site on equal terms
    Fleischmann, Monika and Jasminko Novak and WolfgangAND Kaliva Strauss and Predrag Peranovic. On-line and on-site on equal terms I3 magazine The European Network for Intelligent Information Interfaces , no. 7 (2000).
  • ARS MEMORIA: ART, IDENTITY AND LOCATIONAL MEMORY
    Featured this month: ARS MEMORIA: ART, IDENTITY AND LOCATIONAL MEMORY Curated by Dr Shaun Wilson This exhibition presents artwork that incorporates issues of identity by using the image as a mode of articulating, and from this coming to terms
  • Terra Zero
    Event: Terra ZeroInstitution: MicroWave FestivalComment:
  • Terra Numerica
    Event: Terra NumericaInstitution: Paris Innovation Tour, Cité des Sciences de la VilletteComment:
  • INS(H)NAK(R)ES -
    This installation was mounted in November 2001 in Athens, Greece, during the event media@terra, as an artist of Brazilian representation
  • I N S N (H) A K (R) E S -
    This installation was mounted in November 2001 in Athens, Greece, during the media@terra event, as a Brazilian representation artist. DOMINGUES, Diana . INS(H)NAK(R)ES. Media@Earth 2000, Athens, p. 37-38, 2000
  • Digitale Abstraktionen -
    The exhibition entitled Digital Abstraktionen is on view at the Basel House of Electronic Arts (HeK) in April and May 2016. The exhibition is curated by Alexandra Adler and Reinhard Storz. The project Digital Abstraction explores abstract works of
  • Memory Dress
    Well, things don't always turn out the way you plan - this project certainly didn't. I learned a couple of things: 1/ Magnetic core memory is very hard to find. 2/ Most people who are interested in magnetic core memory are very
  • Antoine Schmitt
    Heir of cybernetic art, artist and programmer, Antoine Schmitt uses programming as a material to produce installations, CD-ROMs, online exhibitions, and performances in which he confronts the public or performers with autonomous abstract dynamic
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