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Prizor – Privlačnost – Prag, Gallery Kresija, 8th of December 2005 – 10th of Januar 2006
2008
Gnamuš, Nadja. Prizor – Privlačnost – Prag, Gallery Kresija, 8th of December 2005 – 10th of Januar 2006 Ljubljana: Mestna občina Ljubljana, Galerija Kresija (2008).
SELFIE/sh/me – self-portraits
2019
Event: SELFIE/sh/me – self-portraitsInstitution: Mestna Galerija PiranComment:
Débora Aita Gasparetto
Professora Adjunta no Departamento de Desenho Industrial/UFSM (2015-). Profª Colaboradora junto ao PPGART/UFSM (2017). Doutora em Artes Visuais pelo PPGAV/ UFRGS (2012 - 2016), em História, Teoria e Crítica de Arte, na linha de pesquisa Relações
Transarchitectures
1998
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1998
Architectures réactives de la communication Le virtuel c'est le réel avant qu'il ne passe à l'acte. Un non-espace non-matière. Il prend forme en s'actualisant. L'architecture du virtuel c'est à la fois l'architecture de l'information et
Missing matter
1998
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1998
Architectures réactives de la communication Le virtuel c’est le réel avant qu’il ne passe à l’acte. Un non-espace non-matière. Il prend forme en s’actualisant. L’architecture du virtuel c’est à la fois l’architecture de l’information et
sur mesure
2010
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2010
Event: sur mesureInstitution: RurartComment:
Between the words
1995
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1995
This installation constitutes a specific modality of remote communication between two persons where facial expression and hand gestures are its essential agencies. Two people face each other through an opening in a wall where an optical system
Red Dice/Des Chiffres
2000
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2000
video
Red Dice / Des Chiffré (2000) was commissioned by the Canadian National Gallery and is now in their permanent collection. Seaman again worked with Chris Ziegler on the programming of the work. The work presents a text by the Poet Stéphane Mallarmé -
DesConcerto
2003
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2003
Dynamic of the System, script, videos Simone Michelin Argument, music - Vania Dantas Leite Real time processing of images Elaine Tomazzi Freitas DesConcerto (disconcert) is a project developed in the intersection of visual arts and music.
datamatics [prototype-ver.2.0]
2006
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2008
Using pure data as a source for sound and visuals, datamatics combines abstract and mimetic presentations of matter, time and space in a powerful and breathtakingly accomplished work. datamatics is the second audiovisual concert in Ryoji Ikeda's
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