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Disappearance #1, #2
2008
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2009
Light installation The unintentional glances of observers are one of the key factors in the artist's work with light sticks. For the exhibition Strom des Vergessens, terms related to the topic “remembering/forgetting” appeared briefly in the space
Virtual Terms
1992
-
1997
Computer-controlled light installation with three LED bars Lower Austria State Academy, St Pölten (A), competition 1992, realization 1997 (after moving to the government district of St Pölten) The installation 'Virtual Terms' was designed for the
Dialogue in Transition
2010
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2010
The computerised light installation 'Dialogue in Transition' employs the transitory character of the 110-meter-long “netwalk” of the EnBW building in Stuttgart, which connects all parts of the complex. Twelve 35 cm-high light sticks with white LEDs
Ruth Schnell – Virtual Terms
1998
Zillner, Christian. Ruth Schnell – Virtual Terms Published in: Veröffentlichte Kunst, Kunst im öffentlichen Raum Issue 4, Catalog des NÖ Landesmuseums, Wien.
Virtual Terms
1997
Event: Virtual TermsInstitution: Lower Austria State Academy, St PöltenComment:
Everything could be so much better!
2013
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2013
video
With this work Elke Reinhuber is imagining a world in which only robots are extant. They are continuously repeating the phrases which they learned while humans were only wondering how our planet could be saved. The immersive installation lures the
fünfnullplus
2004
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2004
[English title, fivezeroplus] Light object Series 'Lichtbilder' The work 'fünfnullplus' from the series 'Lichtbilder' seems at first sight to be a monochrome painting. In the glossy, translucent body of the image, a vertical bar of white LEDs is
Phantom Waves
2021
The November 1973 issue of Scientific American featured an article titled “The Recognition of Faces” by Bell Labs researcher Leon Harmon that explained how we perceive pixelated digital photographic images. Using a low-resolution, portrait of
Mirrors of the Unseen (MotU) #1, #2, #3
2011
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2011
Light objects Series 'Mirrors of the Unseen (MotU)' At what point are terms recognisable and integrable into one’s own linguistic system? Which synonymous manifestations does language have? The light objects 'MotU #1 to #3' present onomatopoetic
Remote Impressionist Art
2006
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2006
... of the framed pictures
change
s every ten seconds. In the...
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