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The Muse
1990
-
1990
“The Muse” 1990 Featured article by noted curator Maurizio Calvesi on Csuri in Art E Dossier primar Italian Art Magazine. The Muse i
s a
n example of Csuri’s later work, combining heavy impasto painting with 3D rendering in a technique called “texture
MOBILE SPIELE: MOMEUS IM VIERTEL
2007
Am 29. September am Ulrichsplatz können alle, die ein MMS fähiges Kamera-Handy besitzen an einem Spiel teilnehmen. Alle Teilnehmer bekommen dazu per SMS Keyword
s a
uf ihr Handy, die sie bebildern können. Diese Bilder werden an die Website
‘Digital Debris of Internet Art (an Allegorical Resi
sta
nce to The Epistemology of
Sea
rch)’ Humanities Re
sea
rch Forum, R.C.A.
2014
-
2014
Event: ‘Digital Debris of Internet Art (an Allegorical Resi
sta
nce to The Epistemology of
Sea
rch)’ Humanities Re
sea
rch Forum, R.C.A.Institution: Royal College of ArtComment:
Divers Faits
2010
-
2011
The project Divers Faites is built around a photographic series of contemporary still lives. The historic references of the project are situated in the Dutch painting of XVIIth century, which contain
s a
real dictionary of vi
sua
l allegories developed
Peristrephic Pleasures, or the Origins of the Moving Panorama
2004
Huhtamo, Erkki. Peristrephic Pleasures, or the Origins of the Moving Panorama In Allegories of Communication: Intermedial Concerns from Cinema to the Digital, edited by Jan Olsson and John Fullerton, 215-248. Rome: John Libbey, 2004.
schème
2001
video
Two dancers/performers interact with an audio-vi
sua
l environment. Their movement data control cameras, microphones, and architectural projections of 3D representations of each performance venue. Four scenes, made up of choreography and media, play
schème
2001
video
Two dancers/performers interact with an audio-vi
sua
l environment. Their movement data control cameras, microphones, and architectural projections of 3D representations of each performance venue. Four scenes, made up of choreography and media, play
Trigger
2002
-
2002
"Part soft-core pornography, part political allegory and part Modernist play with media," Jordan Crandall's Trigger i
s a
"sermon about masculinity, sex, surveillance, and violence." (Ken Johnson, The New York Times, 15 Nov 2002). "The work
598
2009
-
2009
In der Arbeit “598″ nehmen wir mit einer Software eine urtümliche Landschaft wahr, ohne unser Wissen oder unsere interpretatorischen Fähigkeiten zu benutzen. Wir wollen quasi vor unserem inneren Auge eine Art Landschaft des wahrgenommenen Bildes
The Imaginary Hotel: Grazer Zimmer
2003
-
2003
Der Ausblick aus dem Fenster eines
sta
ndardisiert eingerichteten Hotelzimmers stellt sich als Einspielung von Motiven dar. Via Internet können UserInnen die „Aussicht“ nach ihren Vorstellungen verändern, ihre als digitale Daten formatierten Sights
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