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  • Cathartic User Interface (CUI) -
    Cathartic User Interface 1.0 and 2.0 (CUI) are interactive, multi-participant installations that allow users to quickly and effectively work through their conflicting emotions concerning the benevolent yet pernicious influences of computer
  • GRAVITY: PAMPHLET ARCHITECTURE 24
    Cathcart, Fatauzzi and van Elslander. GRAVITY: PAMPHLET ARCHITECTURE 24. New York: Princeton Architectural Press, 2003.
  • There Is No Business -
    TITLE: There is no business ARTIST: Rafael Lozano-Hemmer WORK DATE: 2009 CATEGORY: Installations MATERIALS: Installation néon, métal, timer / neon installation, metal, timer EDITION/SET OF: 1/6 SIZE: h: 60 x w: 60 x d: 8 cm / h: 23.6
  • Heaven -
    An interactive digital video projection environment 1 interactive video projection, colour, silent 12 x 12 x 18 metres This video projection was done onto the ceiling of the Dominakanerkirch (Dominican Cathedral) in Osnabruck, 18 metres above
  • Cathedrals of Light
    Pesce, Mark. Cathedrals of Light In The Playful World: How Technology is Transforming Our Imagination, edited by Mark Pesce, 248-255; 267. New York: Ballentine Books, 2000.
  • Visions of Hildegard, C
    en los últimos años. Twenty-six Visions of Hildegarde. 30" by 22", 2000. Algorithmic pen and ink drawing on paper with 4 gold leafed medallions. (Original algorithmic procedures date from the early 1990's.) Los dibujos de la familia
  • Paul Vanouse - Fingerprints
    Vanouse, Paul and Simon A. Cole and Jens Hauser and Hans-Jörg Rheinberger. Paul Vanouse - Fingerprints. Germany: Jens Hauser and Heike-Catherina Mertens, Schering Stiftung, 2011.
  • Museum for Insects - video
    Can we know insects through electronic and artistic interfaces? Do they know us? Can they experience art? Can we develop new relationships with them? I built a miniature museum space and used telepresent technologies to re-scale the situation and to
  • Chapelle des Jesuites
    Restany, Pierre, ed. Chapelle des Jesuites. : Edition Maeght, 1991.
  • Catherine Ikam
    Since 1980 Catherine Ikam has been working on the concept of identity in the digital age, themes of identity and appearance, the living and the artificial, and the human and the model. In collaboration with Louis Fléri she has produced virtual
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