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  • Digital technology has become a medium that has redefined the arts broadening horizons and changing practices. The works in this exhibition explore interactivity and the possibilities opened up by multimedia and electronic technologies to create
  • The first major interactive work was entitled The Watch Detail (1990). Video images, sound and text that addressed the subject of time were explored interactively. This work employed Macintosh Hypercard media, that was used to control an interactive
  • The next period in Seaman's oeuvre employed video as a poetic technological vehicle, exploring sound, image and text relations within a slow pulsing hypnotic video space. Both linear tapes and video installations were produced. The tapes S.He
  • I was invited to do a site specific installation in Travana, Slovakia. The gallery was an abandoned synagogue. I shot a video in Tranava and developed a series of street signs in the style of normal street signs. They presented short poetic lines
  • The Thoughtbody EnvironmentArtist: Bill SeamanComment:
  • ComSpace
    ComSpaceArtist: Bill SeamanComment:
  • Architecture of AssociationArtist: Bill SeamanComment:
  • Passage Sets/One Pulls Pivots at the Tip of the Tongue (Wall of Light Version)Artist: Bill SeamanComment:
  • A China of Many SensesArtist: Bill SeamanComment:
  • Tunnel -
    The coal tunnel has no architecture. Its walls consist of the stuff the mine produces. It has no exterior, an interior shaped by the task for which it is intended, surfaces that are nothing but raw materials, and a shape that must follow the coal