Archive Search

Berlot, Uršula. Duchamp and Mimesis Ljubljana: Research Institute of the Academy of Fine Arts and Design, University of Ljubljana (2011).

Berlot, Uršula. Duchamp and the Notion of Optical Tactility Art, Emotion and Value. 5th Mediterranean Congress of Aesthetics. University of Murcia (2011).

Berlot, Uršula. Biomimesis and Contemporary Art Journal for Critique of Science, Imagination and New Anthropology. Ljubljana: Študentska založba XXXIX, 2011, no. 244 (2011).

Berlot, Uršula. The Space of Infrathin Difference: Non-similar Similarity in Duchamp’s Art Sodobnost, nov. 2010/74. Ljubljana: Kulturno-umetniško društvo Sodobnost International (2010).

Berlot, Uršula. Art Between the Natural, Technological and Mental Likovne besede/Art Words. Ljubljana: Union of the Slovene Fine Artists Associations 89/90 (2009).

Berlot, Uršula. The Aspects of Light in the Contemporary Visual Art and Architecture Sodobnost 12/2004. Ljubljana: Kulturno-umetniško društvo Sodobnost International (2004).

Berlot, Uršula. Art in the Age of Genetics Art.Si – Magazine on Art, Architecture, Design and Photography, June 2003. Ljubljana: Art.si (2003).

Berlot, Uršula. Idea of Nature in the Contemporary Art Likovne besede/Art Words. Ljubljana: Union of the Slovene Fine Artists Associations 61/62 (2002).

Berlot, Uršula. Nature M’ARS 1/2. Ljubljana: Museum of Modern Art (2001).

Berlot, Uršula. Myth and Aesthetic Experience Kolaps: Economia, Philosophia, Isu, Scientia , no. 8/9 (1998): p. 90 – 96.