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Jack Holmer
Jack Holmer and the aesthetic of affect In search of technological Affective Poetics, the artist wanders the form, trying to visualize that which lacks connection, interaction and support. This happens in the Stratosphere, in Physical Mountains,
Eletrourbs, Electrogravuras
1982
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1982
Event: Eletrourbs, ElectrogravurasInstitution: Galeria Sérgio Milliet/FunarteComment:
Performing Bodies and Smart Machines Series
1992
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1992
Event: Performing Bodies and Smart Machines SeriesInstitution: Whitney Museum of American ArtComment:
21a Bienal de Artes Plasticas de Sao Paulo
1991
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1991
Event: 21a Bienal de Artes Plasticas de Sao PauloInstitution: Museu de Arte de Sao Paulo (Masp)Comment:
Paragens
1991
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1991
Event: ParagensInstitution: Galeria de Arte da UCSComment:
ISEA 1997 [The Eigth International Symposium on Electronic Arts]
1997
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1997
Held in Chicago, US.
2nd Mercosul Biennial
1999
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1999
Event: 2nd Mercosul BiennialInstitution: Fundação Bienal do MercosulComment:
Warsaw Autumn
2000
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2000
Event: Warsaw AutumnInstitution: Polish Composers' UnionComment:
Peter William Holden
It's hard to see a photograph physically fading, erasing itself with the bombardment of light but hold no doubts it is subtly becoming elusive like all we hold dear. I often find myself contemplating the fragility of the moment, and I believe this
Ricardo Iglesias
Philosophy Bachelor, Madrid Autónoma University (UAM), Fine Arts PhD, Barcelona University (UB): "Robotics as Artistic Experimentation. A Historical Approach to the Evolution of Automaton Machines from the Perspective of the Aesthetics". Currently,
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