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Pierre Jolivet
Pierre Jolivet originally from Paris, is an artist who's currently based in Dublin, Ireland. Pierre started in the early eighties, as a French pioneer under the moniker of Pacific 231, in the industrial and power electronics musical fields before
Interview with Christa Sommerer at Kwangju Biennale`95
1995
Ryu, Jae-Hoon. Interview with Christa Sommerer at Kwangju Biennale`95 Cine 21 (September 27th 1995).
span 3
2008
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2009
isabelle jenniches span 3, 2008-2009 Digital LightJet print, 73.7 x 304.8 cm Acknowledgements: Jeroen Doorenweerd & Rijksgebouwendienst, Douanekantoor Maasvlakte Many miles away from the actual location, yet connected via the Internet,
A Special Evening of Electronic Visual Music
2019
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2019
As part of Acevedo’s retrospective exhibition at Los Angeles Center for Digital Art, he organized and presented a Special Evening of EVM: Electronic Visual Music. It featured the musical acts, Rex Bruce, J3m5 (James Allen) and Hookah. A grouping of
Mentalizing about emotion and its relationship to empathy
2008
Christine Hooker and Sara Verosky and Laura Germine and Robert Knight and Mark D'Esposito. Mentalizing about emotion and its relationship to empathy Social Cognitive and Affective Neuroscience , no. 3 (2008): 204-217.
Mentalizing about emotion and its relationship to empathy
2008
Christine Hooker and Sara Verosky and Laura Germine and Robert Knight and Mark D'Esposito. Mentalizing about emotion and its relationship to empathy Social Cognitive and Affective Neuroscience , no. 3 (2008): 204-217.
back forward rewind – online exhibition for the 20th Anniversary of MediaArtLab
2020
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2020
Curators: Olga Shishko and Elena Rumyantseva Participating artists: Tanya Akhmetgalieva (Russia) The Blue Soup (Russia) Alexandra Dementieva (Russia/Belgium) George Drivas (Greece) Omer Fast (Israel) William Hooker and Phill Niblock (USA) JODI
Voices of Hope: The Story of Radio Free Europe and Radio Liberty
2001
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2001
Event: Voices of Hope: The Story of Radio Free Europe and Radio LibertyInstitution: Hoover Institution, Stanford UniversityComment:
Hoover Institution, Stanford University
utHOPEia
2001
Hope in fusion with Utopia is here in perspective, looking at St Virgil, which has become part of the every day (esthétique du quotidien). By fragmenting the space and recontextualising elements of the place, utHOPEia is "hoping" to have the
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