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Why Do We Want Our Machines to Seem Alive?
1995
Penny, Simon. Why Do We Want Our Machines to Seem Alive? Scientific American, 150th anniversary issue (September 1995).
En Vie/ Alive: New design frontiers
2013
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2013
Event: En Vie/ Alive: New design frontiersInstitution: Espace Fondation EDF ParisComment:
Colmena
2010
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2010
"Colmena" is a site-specific installation created by Martina Höfflin and Pascal Glissman, winners of the Pilar Juncosa and Sotherby's Award. About 100 analog creatures in hand-crocheted nests out of wire settled in trees of the mediterranean park up
Electronics Alive III
2005
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2005
Exhibition of digital, electronic, and new media art from two dozen artists
Electronics Alive VIII
2015
The University of Tampa presents a biennial invitational exhibition of computer animations, digital video, interactive digital work, and virtual spaces from around the world. Some significant computer artists will offer lectures and presentations.
Electronics Alive 2003
2003
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2003
Event: Electronics Alive 2003Institution: University of TampaComment:
Erratum 1
2006
In the Erratum series of biopoems, pairs of words are seen in a field in which layers of colors embed and dissolve the verbal forms. The pairs always produce semantic tension. Alive as the biotopes are, lexical form and color are unstable and always
Group Exhibition of Peripheral Response in Despertar/Éveil/Alive
2014
Event: Group Exhibition of Peripheral Response in Despertar/Éveil/AliveInstitution: SESC SANTANAComment:
Disentangling Aliveness, Naturalness and Greenness
2019
Hauser, Jens. Disentangling Aliveness, Naturalness and Greenness In The New State of The Living, edited by Dmitry BulatovPerm: The Museum of Contemporary Art PERMM, 2019.
love, piracy, and the office of religious weblog expansion, 2009
2009
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2009
love, piracy, and the office of religious weblog expansion, 2009 http://ambienttv.net/love Mixed media (performance, installation, online project, artists’ book) Text based on an interview with Ali Alizadeh by Mukul Patel, February 2008
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