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DIGITAL MONSTERS DON'T BLEEDSolo showSpatial object, 1700 x 500, paper tubes, sound, video, 2 gold plated sculptures (15 x 50).
2014
Event: DIGITAL MONSTERS DON'T BLEEDSolo showSpatial object, 1700 x 500, paper tubes, sound, video, 2 gold plated sculptures (15 x 50).Institution: Kunstraum BernsteinerComment:
Topology of Imaginary Skyrmions
2023
6,54’ video, 3D modeling, 3D animation The video combines abstract video recordings of light-kinetic sculptures in motion together 3D simulations of them. This interplay of digitally simulated and analogue visual effects creates a topology of hybrid
ABSTRACT SHOTS
2018
The ABSTRACT SHOTS are some of the outcomes of the BRAIN FACTORY that gave the exhibition spectators in Paris, Seoul, Brisbane and Hong Kong the possibility to become “brain-workers”. Using no hands and no words, they gave a shape to human
Marta de Menezes
"Marta de Menezes is a Portuguese artist (b. Lisbon, 1975) with a degree in Fine Arts by the University in Lisbon, a MSt in History of Art and Visual Culture by the University of Oxford, and a PhD candidate at the University of Leiden. She has
Anthroposcope
1995
Sommerer, Christa and Laurent Mignonneau. Anthroposcope In Scultura e Oltre: 16th International Biennale del Bronzetto e della Piccola Scultura, edited by G. Franco and Ernesto Luciano FranaclanciPadova: Il Poligrafo, 1995.
Oltre La Scultura - Biennale de la Piccola Scultura
1995
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1995
Event: Oltre La Scultura - Biennale de la Piccola SculturaInstitution: Palazzo della RagioneComment:
Education, Création, Révélation, Transmission
2006
Event: Education, Création, Révélation, TransmissionInstitution: Mediare la Scuola, IndireComment:
8520 S.W. 27th Place
2004
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2004
8520 S.W. 27th PL is an installation about the pointlessness of our never ending decision making process: choosing between left or right, brown shoes or black shoes, K-mart or Wal-mart. The exhibit features modified Dancing Hamster Toys, originally
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2005
sddddd. dddddd. wwww: wwwww, 2005.
Masaki Fujihata
Masaki Fujihata is one of the pioneers of Japanese new media art, beginning his career working in video and digital imaging in the early 80s. As an early practitioner of the application of new technologies to the process of artmaking, he was one of
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