Archive Search

  • marozia -
    maroziaArtist: Susanne SchurichtComment:
  • Cross Currents -
    The multi-media project Cross Currents is the third part in the Yugoslavian War trilogy with Pietà (Neue Galerie, Graz, 1996, produced in collaboration with scenario URBANO) and Motel Vilina Vlas (Sprengel Museum, Hanover, 1996) forming the second...
  • Things Spoken -
    Most people collect objects during their lives. These can be gifts, souvenirs, momentos, personal artifacts, found things, etc. Their significance for their 'collectors' are usually contextual and personal.
    This CD-ROM presents a...
  • Awarded a DA2 Open Commission, Martin Rieser has created Understanding Echo, an interactive installation that re-awakens the mythological figure from the Echo and Narcissus myth.

    In the centre of a darkened room hang a number of translucent...
  • The Book after the Book is a hypertextual and visual essay about cyberliterature and the net_reading/writing_condition. Its main focus is non-linear narratives, which reconfigure the literature/book relationship starting from the very notion of...
  • In simple terms Panoramic Acceleration is an interactive experience where the physical body and visual perception is subjected to extreme rotational movement. The participant sits in a racing car seat on a motorized revolving arm and focuses on a...
  • Inflatable
    Knocking out the wall of a concert hall with air-cushions.
  • Mimetic Starfish -
    The Mimetic Starfish is a virtual creature, projected onto a large circular table. It reacts to visitors hand gestures in a life-like manner, slowly extending a tentacle towards a gently moving hand, or receding rapidly in an impulsive manner if the...
  • Biotica -
    An immersive journey into a world of artificial-life creatures.
    Viewers use their arms to fly and navigate in a virtual 3D world of evolving, swimming and pulsing a-life creatures.

    (source: www.mimetics.com)
  • Epicene -
    An interactive installation which required the viewer to enter at which point they would hear a hypnotic induction. If the viewer did not enter, the piece retained an idea of a psychological barrier. (source: http://www.grahamnicholls.com/)