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Kyong Chun, Wendy Hui. On Sourcery and Daemons, or Code as Fetish Configurations: the Journal of the Society for Literature, Science, and the Arts , no. 16 (2008): 299-324.

Kera Denisa. Hackerspaces and DIYbio in Asia: connecting science and community with open data, kits and protocols Journal of Peer Production (June 2012): 8.

Kera Denisa. Post-Apocalyptic Citizenship and Humanitarian Hardware In Nuclear Disaster at Fukushima Daiichi, edited by Richard HindmarshRoutledge Studies in Science, Technology and Society, , 222. London, Great Britain: Routledge, 2013.

Kluszczyński, Ryszard W.. art@science: About Relations between Art and Science In Towards The Third Culture: The Co-Existence of Art, Science and Technology, edited by Ryszard W. Kluszczyński, 32-42. Gdańsk: Laznia Centre for Contemporary Art,

Kera Denisa. NanoSmano Lab in Ljubljana: disruptive prototypes and experimental governance of nanotechnologies in the hackerspaces Journal of Science Communication (December 2012): 5.

Kera Denisa. Entrepreneurs, squatters and low-tech artisans: DIYbio and Hackerspace models of citizen science between EU, Asia and USA ISEA2011 Istanbul (September 2011).

Kera, Denisa and Marc Tuters. Social Stomach: Performative Food Prototypes Proceedings 2nd International Workshop "Creative Science - Science Fiction Prototyping for Technology Innovation" (CS'11) (2011).

Kusahara, Machiko. A Turning Point in Japanese Avant-garde Art: 1964 – 1970 In Place Studies in Art, Media, Science and Technology, edited by Andreas Broeckmann and Gunalan NadarajanVDG Weimar: 2008.

Sommerer, Christa and Laurent Mignonneau and Lakhmi C. Jain. The Art and Science of Interface and Interaction Design. Heidelberg: Springer Verlag, 2008.

Moes, Fabiana. Borges, Science Fiction, Hyperfiction: three means to Post-Human ? Borges, Ficção Científica, Hiperficção: três caminhos para o Pós-humano? academia.edu (2007).