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  • Paul Vanouse
    Paul Vanouse is a biomedia artist based in New York. He holds a BFA from the University at Buffalo (1990) and an MFA from Carnegie Mellon University (1996). He is a Professor of Visual Studies and Co-Director of Emerging Practices at the University
  • Le Sujet Digital 2015: Codes. -
    Event: Le Sujet Digital 2015: Codes.Institution: Université de Paris I / Panthéon-SorbonneComment:
  • The Rise of Immersion and Biometric Indicators, Codes And Modes, Reframing Reality, Virtuality and Non-Fiction Media -
    Ellen Pearlman, Utopic or Dystopic
  • Open Codes -
    Event: Open CodesInstitution: ZKM - Center for Art and MediaComment:
  • Divination A Romantic Mutiny in a Maelstrom of Data -
    'Divination: A Romantic Mutiny in a Maelstrom of Data' by Nancy Mauro-Flude. Produced by Contemporary Art Tasmania. The maiden voyage performance of Pyrate Queen and her crew, set sail for the duration of Dark Mofo 10–19 June 2016. Toured in 2017
  • Floating Signs -
    Light installation in public space, 2011-present Harbour, Bregenz (A), invited competition Departing from ambiguous concept and image worlds related to terms like harbour, arrival, staying (also being allowed or having to stay), 'Floating Signs',
  • Simone Michelin
    SM Lives in São Paulo as a New Media Artist and Researcher employing computer-based technologies and moving-image associated to architectural constructions in the production of art. Michelin investigates the production of social space through
  • Metapaisajes. El paisaje a través del arte digital -
    The landscape is not just the natural environment or its representation. It is in itself a cultural construct, subject to the codes and beliefs of those who have configured it, be it physically (determining its shape by the arrangement of gardens,
  • Virtual Book -
    Virtual Book : Augmentation of a real book boosted by semantic text analysis. The Virtual Book (2006) The concept of the book as an interactive knowledge structure was inspired by Marvin Minsky's vision from the early 1990s. He said, "Can you
  • Programmed: Rules, Codes, and Choreographies in Art, 1965–2018 -
    Event: Programmed: Rules, Codes, and Choreographies in Art, 1965–2018Institution: Whitney Museum of American ArtComment:
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