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  • “On the Road”, consists of twelve lenticular panels that explore the cinematic narrative potential of the photographic image in non-electronic form. The exhibition’s title “On The Road” makes reference to the defining work of the Beat Generation’s
  • Elke Reinhuber's work focuses on decision making processes and counterfactual thoughts in media arts. As a decidophobic in her own life, she explores alternative layers of the here and now with immersive environments and expanded photography.
  • Walker, James. Silent Motion - catalogue for the exhibition, 2001 ISBN 0-9536240-2-1. Vol.1. 1 th ed.London, UK: Colville Place Gallery Publishing, 2001.
  • Julian Oliver. Polygon Destinies: The Production of Place in the Digital Role-Playing Game In COSIGN 2001 Conference Proceedings, Melbourne Victoria, Australia: Julian Holland Oliver Interactive Information Institute RMIT University,, 2000.
  • ICONography is an independently curated exhibition exploring the computer icon (desktop or other) as a defining element of the entire construction of computational culture, and one that resonates strongly with the place of the computer icon in the
  • HyperKult 14 -
    »HyperKult - Computer as Medium« takes place as an annual (non-profit and no-budget) symposium since 1990. Hyper(media)Kult(ur) was an at this time an upcoming field of research across the borderline of technical and cultural disciplines. HyperKult
  • Eurographics 2005 -
    "In 2005, Trinity College Dublin, Ireland, will play host to Eurographics, the 26th annual conference of the European Association for Computer Graphics. Eurographics is the leading international organisation purely devoted to the needs of
  • Walker, James. Silent Motion - catalogue for the exhibition, 2001 ISBN 0-9536240-2-1. 1st th ed.London, UK: Colville Place Gallery Publishing, 2001.
  • Walker, James. Silent Motion - catalogue for the exhibition, 2001 ISBN 0-9536240-2-1. 1st th ed.London, UK: Colville Place Gallery Publishing, 2001.
  • The CD-Rom plays a particularly challenging role in these developments. In providing artists with a broader "bandwidths" and more extensive data bases than can yet be readily accessed on the internet, the format of the CD-Rom challenges artists to