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Jaroslav Vančát
Jaroslav Vančát, Ph.D. New media artist – multimedia art, digital art, computer art, interactive art, visual structuralism, conceptual art, video art Associate Professor at universities in the Czech Republic, new media, visual arts and creativity
BUTTERFLY
2010
Video projection onto an image on a mirror (video loop, 3′) mirror (110 x 110 cm), foil covering, projection and reflection variable dimensions The video installation Butterfly uses radiological images of the author’s brain responding to different
CEREBRAL LANDSCAPES (REFLECTION)
2006
Kinetic light installation bended plexiglas, light projection and reflection, electronic light modulator variable dimensions Four projectors illuminate a bent piece of plexiglass positioned horizontally on the floor that reflects a multi-layered
Counterfactualism – a new category for fine arts and humanity, dealing with the retrospective analysis of turning points in life
2013
Reinhuber, Elke. Counterfactualism – a new category for fine arts and humanity, dealing with the retrospective analysis of turning points in life Phd Thesis, COFA/UNSW, Sydney, March 2013.
51st International Short Film Festival Oberhausen
2005
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2005
"I smoked my first cigarette here. For years, I saw every single film at the Westdeutsche Kurzfilmtage, looking forward to those days in Oberhausen every year . These events were important for me, for my decision to become a filmmaker." Wim Wenders
William Kentridge: Five Themes
2009
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2009
Combining the political with the poetic, William Kentridge's work has made an indelible mark on the contemporary art scene. Dealing with subjects as sobering as apartheid and colonialism, Kentridge often imbues his art with dreamy, lyrical
Gallery of Heroic Women
2018
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2019
This series of fictitious portraits deals with fighting and hunting movie heroines and refers to the baroque concept of the ‚Gallery of Heroic Women‘ (book by Pierre Le Moine with illustrations, painting series by Guy François, and others, 16th-17th
Neuro Mirror
2017
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2017
video
Neuro Mirror Artificial Intelligence Installation ©2017, Laurent Mignonneau and Christa Sommerer Collection of Itau Cultural This interactive installation deals with the image we have of ourselves and of others. In 1999 the Italian
Art and New Media in Lebanon
2005
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2005
Ricardo Mbarkho spoke about the emerging artists’ approaches and positions in today’s Lebanese multi-cultural society, where religion, politics, war and post-war environments are always affecting the identity and belonging crisis. The aim of the
EUROPEAN MEDIA ART PLATFORM (EMAP)
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