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  • Elevator's Music -
    The site-specific installation “Elevator’s Music”, visits the topic of synthetic creatures becoming sentient. What if centuries from now, we had the technology to make any machine self-aware? In this distant future, if an elevator could be
  • Gijs Bakker was trained as a jewellery and industrial-designer at the Gerrit Rietveld Academie in Amsterdam, the Netherlands and the Konstfack Skolen in Stockholm, Sweden. Bakker's designs cover jewellery, home accessories and household appliances,
  • Hello, world! -
    “Hello, world!” analyses the ephemerality or longevity of storage media and uses acustic signals for data storage. In a closed system, which is made up of a computer, a loudspeaker, 246 metres of copper pipe and a microphon, circulates a codified,
  • Shadows -
    The work uses remote visual sensing techniques to track the viewer. The position of the viewer in front of the image controls the activity of the figures across the bottom of the screens. The figures are all independently interactive, and are
  • Inke Arns. 56kTV - bastard channel MAGAZIN http://www.56k-bastard.tv/struktur3/info/magazine/tvbot_e.html.
  • Fleischmann, Monika. Disseny i art d´arquitectures virtuals: les cares del cos http://www.iua.upf.edu/formats/formats1/d06at.htm [06.12.2013].
  • Biggs, Simon. Multimedia, Multiculturalism, Language and the Avantgarde http://littlepig.org.uk/texts/epoetry.htm[12.04.2015.
  • Baumgärtel, Tilman. Dein Code ist so verdammt elegant http://www.taz.de/1/archiv/?dig=2002/11/02/a0229 [21.10.2014].
  • Robles, Claudia. Audiovisual PERSPECTIVES OF AN INDIVISIBLE ENTITY http://econtact.ca/15_4/roblesangel_audiovisual.html.
  • Robles, Claudia. Audiovisual PERSPECTIVES OF AN INDIVISIBLE ENTITY http://econtact.ca/15_4/roblesangel_audiovisual.html.