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  • Jinorio, Orlando Britto and Ery et.al. Camara. A Fiction of Authenticity: Contemporary Africa Abroad. St. Louis, MO: Contemporary Art Museum St. Louis, 2003.
  • Event: A Fiction of Authenticity, Contemporary Africa AbroadInstitution: Contemporary Art Museum St. LouisComment:
  • Arguendo
    Arguendo re-enacts the 1991 Supreme Court Case Barnes v. Glen Theatre, initiated by a group of go-go dancers against an Indiana law banning public nudity. Electronically mediated with references to relevant court cases and the First Amendment, the
  • Helena Ferreira (1982, Lisbon) is an artist, PhD student and FCT Research Fellow at the Faculty of Fine Arts of the University of Lisbon. Trained as an artist her work develops around practical and theoretical research on art installation, video,
  • Giuliano Lombardo teaches Teoria della Percezione e Psicologia della Forma at the Florence Academy of Fine Arts. As an artist he has exhibited in museums, festivals and galleries, published music and sound pieces, composed music for theatrical
  • Part of an emerging generation of new media artists, Shirley Shor employs technological processes in the service of larger issues related to human experience and fine art. Shor creates real-time computer generated installations, and environments
  • Starodubtseva Zinaida, ed. Russian Artists Abroad - 20 century, with suport of V.Potanin Foundantion, interviews by Erik Bulatov, Ilya Kabakov, Olga Kisseleva, Oscar Rabin, Vladimir Yankilevsky, Boris Zaborov. Moscow, Russia: NCCA (National Centre
  • Lastwishes -
    Only through two narrow slots white endless paper slides through abrown box, at least every ten minutes a message appears:"No communication on this channel", date and time. Listening but not talking and if talking then only once. that way
  • Kulturabteilung der Stadt Wien, ed. Über Wasser. Museum auf Abruf, Objekte aus der Sammlung der Stadt Wien. Vienna: Kulturabteilung der Stadt Wien, 2003.
  • A New York City native, Matthew Ostrowski is a composer, performer, and installation artist. Using digital tools and formalist techniques to engage with quotidian materials -- sonic, physical, and cultural -- Ostrowski explores the liminal space