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  • Dimension artistique et socio-économique de la création numérique
    Event: Dimension artistique et socio-économique de la création numériqueInstitution: Université de Rouen, UFR de psychologie, sociologie, sciences de l'éducationComment:
  • Laboral. feedforward the angel of history -
    FEEDFORWARD – The Angel of History addresses the current moment in history where the wreckage of political conflict and economic inequality is piling up, while globalized forces—largely enabled by the “progress” of digital information
  • transmediale.09: deep north
    Looking beyond the alarmist scenarios of environmental, social and economic catastrophes to be expected in the wake of global warming, the essential question isn't that of how to avoid these processes, but to examine the need for a fundamental shift
  • European Media Art Festival 1989
    In September 1989, for the second time Osnabrück hosted the European Media Art Festival, a forum that aimed to show and create free artistic spaces. Against the backdrop of media history, the intention of EMAF was to critically reflect upon the
  • European Media Art Festival 2009: The Future Lasts Longer Than The Past
    In 2009, the EMAF portrayed over 2000 years of media history with its large exhibition entitled “Image Battles” in cooperation with the Museum of Industrial Culture Osnabrück, Kunsthalle Dominikanerkirche and Erich Maria Remarque Peace Centre. In a
  • Digital Creation and Post Conflict -
    Universidad de Caldas - CCC Theater Founders 13 International Image Festival revolves around the theme "Digital creation and post-conflict" which proposes to reflect on the role of art, design and technology companies today must find ways to
  • Now&After International Video Arts Festival
    Reality is an intuitively understood component of our life. It is a philosophical category, a scientific constant, and something that everyone can define in his own way. Reality refers to everything that arises in time and then disappears, and
  • IO_dencies Series [Tokyo/Sao Paulo/Ruhrgebiet/Venice] -
    In the search for new forms of urbanity the influence of media technologies on the perception of and on the engagement with social constructed spaces becomes evident. Under the conditions of telecommunication, digital networks, distributed
  • reConFIGURING the CAVE -
    These are reconfigurations of the original work conFIGURING the CAVE (1997) that for reasons of economy use simplified projection and interface technologies. Instead of the four screen environment, only one wall screen, or combination floor and
  • Solid Landscapes -
    In the video "Solid Landscapes", the artist “spells out” the never-ending growth of usable and productive (anti-)landscapes by reproducing and multiplying evidence of a dramatic change that is occurring in an incremental manner around the world. It
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