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The Waiting Room
1998
Interactive digital video projection
environment
12 x 12 x 6 metres 2 large scale video projections, colour, multi-channel interactive sound In collaboration with Sue Hawksley (Choreography) and Stuart Jones (sound) Produced by Victoria
Chance Encounters
2002
-
2002
Chance Encounters is a computer generated installation presented on video displays at the 7th and Metro Subway station platforms in Los Angeles, as part of the Experimental Art for Riders program. The theme of the installation is the chance
Lautriv Chromagnon/Medusa
1995
... There are no boundaries between her skin and the surrounding
environment.
Her sensibility is spread in the whole room....
conFIGURING the Cave
1997
-
1997
ConFIGURING the CAVE is a computer based interactive video installation that assumes a set of technical and pictorial procedures to identify various paradigmatic conjunctions of body and space. The work utilises the CAVE technology stereographic
Halo
1998
Interactive digital video projection
environment
30 x 10 x 12 metres 4 large scale video projections, colour, multi-channel interactive sound In collaboration with Sarah Rubidge (choreography) and Stuart Jones (sound) Produced by Film and
Exploded Views
2008
-
2008
Exploded Views is an interactive installation whereby three participants run on individual conveyor belts. They physically move themselves through both an interactive audio-
environment
and interactive imagery projected at the front of the belts. The
Paragens
1991
Paragens is a video installation with three
environments
: Clareira, Eye and Wall. The room in a dark blue is a like a data space full of electronic images, photographies, projections, reflected images. The visitors by they moving-around can get a
Distributed Legible City
1998
video
... locations who are simultaneously present in the virtual
environment.
They can meet each other (by accident or intentionally),...
Matrix XII Krems
2019
video
“Matrix XII Krems” connects the new State Gallery of Lower Austria and the Kunsthalle Krems in a vast space below ground. The individual lights are arranged in a strict square grid on a slanted plane and delineate the border between emptiness and
Julie Freeman
... around the concept of data and the impact it has on us and the
environment.
Over the past 20 years, her work has been shown at...
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