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  • Occupy Wall Screens, Emotion Forecast, Still Moving and NeORIZON
    Event: Occupy Wall Screens, Emotion Forecast, Still Moving and NeORIZONInstitution: Big Screen Plaza, Manhattan NYCComment:
  • Art of the Digital Age : lecture/panel discussion on April 12NYIT Manhattan campus: included Acevedo + others -
    Event: Art of the Digital Age : lecture/panel discussion on April 12NYIT Manhattan campus: included Acevedo + othersInstitution: New York Institute of TechnologyComment:
  • Data Arcade -
    Data Arcade contains three games: Stock Invaders, Pipe Mania and Oil Kong. They are derived from famous existing games. Nideffer adds political and economic issues.
  • Japan Media Arts Festival 2004
    February: 7th Japan Media Arts Festival Exhibition of Award-winning Works Dates: February 27– March 7, 2004 Venue: Tokyo Metropolitan Museum of Photography (Ebisu, Tokyo) Entries: 1,584 works (including 494 from overseas) Visitors: 16,766
  • Aesthetics of the Worst, the first simposium of the Centre Pompidou Metz
    Kisseleva Olga and Pelt Jean-Marie and Toma Yann and Vesna Victoria and Mangin Benoit and Laval-Jeantet Marion and Lageira Jacinto and Glissant Edourad and Clement Gilles. Aesthetics of the Worst, the first simposium of the Centre
  • inSite 2000 -
    inSITE 2000 beteiligte künstlerInnen: Carlos Amorales, Gustavo Artigas, Judith Barry, Jordan Crandall, Arturo Cuenca, Roman de Salvo, Dias & Riedweg, Mark Dion, Silvia Gruner, Diego Gutiérrez, Jonathan Hernandez, Norma Iglesias & Rita Gonzales,
  • La Membrane -
    Conception et réalisation du dispositif central, en interaction totale avec le visiteur selon des principes d'"architecture organique". "La membrane est un dispositif organique constitué d'un ensemble de surfaces virtuelles souples, mouvantes qui
  • Digital98 -
    ASCI is pleased to give these digital works a venue both online as a permanent online exhibition, and displayed in the Technology Gallery at the New York Hall of Science and then in the Brooks Design Center Gallery at Cooper Union in Manhattan.
  • Nothing Remains the Same (Sensoric Organ) -
    Influence, change and transformation are keywords in Peter Hagdahl’s ¦uvre. In 1992 Andréhn-Schiptjenko showed the installation Sustained where sculpture, painting, drawing, snapshots, paperclippings and a powerengine created a system ranging from
  • spectraII -
    The installation relies on the intersection of sound and architecture and continues Ikeda's interest in phenomena - be they light, tone or sound - and how they materialise and manifest themselves in the world. The piece is built as a narrow,
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