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Teoria Digital: dez anos do FILE Festival Internacional de Linguagem Eletrônica
2010
Perissinotto,Paula & Barreto,Ricardo, ed. Teoria Digital: dez anos do FILE Festival Internacional de Linguagem Eletrônica. Vol.1000. 1 th ed.São Paulo: Paula Perssinotto & Ricardo Barreto, 2010.
Jäger und Gejagte – Insekten in der Gegenwartskunst
2012
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2012
2012 MUSEUM VILLA ROT (25.March.2012 until 17.June.2012) Exhibition: "Jäger und Gejagte," Curator: Stefanie Dathe Artists: Jennifer Angus, Jana Eske, Jan Fabre, Tessa Farmer, Lili Fischer, Kirsten Geisler, Douglas Gordon, Cornelia Hesse-Honegger,
Terabyte Psychedelics s02
2016
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2016
Archival Digital Print, Sizes: 8”x10” and 13”x19” Pigment Inks on cotton rag substrate or Light Jet digital photo prints. (Also available larger custom sizes or NFT by special order) Date created: 2016 This is a still image from Acevedo’s Electronic
Terabyte Psychedelics s05
2016
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2016
Archival Digital Print, Sizes: 8”x10” and 13”x19” Pigment Inks on cotton rag substrate or Light Jet digital photo prints. (Also available larger custom sizes or NFT by special order) Date created: 2016 This is a still image from Acevedo’s Electronic
BIOTEKNICA: Teratogenic Strategies for Critical BioArt Production
2007
Willet, Jennifer. BIOTEKNICA: Teratogenic Strategies for Critical BioArt Production [16.07.2014].
El Tercer Umbral. Estatuto de las prácticas artísticas en la era del capitalismo cultural
2004
Brea, José Luis. El Tercer Umbral. Estatuto de las prácticas artísticas en la era del capitalismo cultural. Ad Hoc Ensayo, Murcia, Spain: CendeaC, 2004.
Consciousness, Art, and Media
2001
Ackers, Susanne. Consciousness, Art, and Media In Dimensions of Conscious Experience, edited by Paavo Pylkkänen and Tere Vaden, 179-190. Amsterdam: Benjamins, John, 2001.
Artist and Audience
1990
Grieder, Terence. Artist and Audience. London: Brown and Benchmark, 1990.
Teres Wydler
Artist: Teres WydlerComment:
Elusive Self
2002
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2017
ELUSIVE SELF A room installation which deals with the capacity of our brain to remember - and to forget, focusing on how we constantly revalue and recreate our relation to ourselves and to our past. Our memory is not like a printed book with an
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