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  • Ars Electronica 1993: Artificial Life - Genetic Art -
    Event: Ars Electronica 1993: Artificial Life - Genetic ArtInstitution: BrucknerhausComment:
  • Ars Electronica 1994: Intelligent Environment -
    Event: Ars Electronica 1994: Intelligent EnvironmentInstitution: BrucknerhausComment:
  • Pam Skelton: ‘Ghost Town’ -
    Event: Pam Skelton: ‘Ghost Town’Institution: World-Wide Video FestivalComment:
  • Shock of the View -
    Event: Shock of the ViewInstitution: Walker Art CenterComment:
  • Kirschner, Morawe, Reiff
    //////////fur//// develops art entertainment interfaces for multidimensional multiuser involvement: software-programs in mechatronic artefacts that create dynamic action-spaces for two or more participants. //////////fur////'s guiding idea is the
  • Dmitry Gelfand
    Dmitry Gelfand (b.1974, St. Petersburg, Russia) and Evelina Domnitch (b. 1972, Minsk, Belarus) create sensory immersion environments that merge physics, chemistry and computer science with uncanny philosophical practices. Current findings,
  • 16th World-Wide Video Festival -
    Event: 16th World-Wide Video FestivalInstitution: World-Wide Video FestivalComment:
  • Ars Electronica 1995: Welcome To The Wired World -
    Event: Ars Electronica 1995: Welcome To The Wired WorldInstitution: Ars Electronica Linz GmbH & Co KGComment:
  • Eleanor Gates-Stuart
    Professor Eleanor Gates-Stuart’s professional practice extends a variety of experience, particularly in research and teaching leadership, relating to the sciences, technology, communication and arts, working in partnership with major research
  • George Gessert
    George Gessert was born in 1944. Initially he was a painter and printmaker. From 1985 to the present his work has focused on the overlap between art and genetics. His exhibits often involve plants that he has hybridized, or documentation of breeding
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