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  • Benayoun, M.. Tentative de définition de l'Art Numérique http://www.academia.edu/35833560/Tentative_de_d%C3%A9finition_de_lArt_Num%C3%A9rique.
  • Event: Les émotions ont-elles une forme ? Du concept, au percept, à l’affect, tentative de réification de la subjectivité mondialeInstitution: Colloque Virtureal, CIRTESComment:
  • Katherine Nolan is a contemporary artist who works primarily with video, image and performance. She is also a lecturer, and curates with MART, visual arts organisation. Her work is currently concerned with states of inhabiting the body and
  • Boreas -
    A matrix of sixty-four tubes is spread out equally over the room. These tubes bend over extremely slowly as if a slow motion wind were touching them. Leaning into one another they reach out to the visitors like the tentacles of a giant snail. The
  • Petite Terre -
    The work is made up of a small natural environment. Four small speakers are hidden under the leaves of the vegetation which covers most of the surface of this world. This world is in fact an island surrounded completely by water. The world is
  • On occasion of the tenth parabolic flight campaign of the DLR (German Aerospace Center), Agnes Meyer-Brandis is venturing an expedition into 8500m altitude, in order to research the activities of aerosols under the condition of zero-gravity (Sept.
  • en los últimos años. Twenty-six Visions of Hildegarde. 30" by 22", 2000. Algorithmic pen and ink drawing on paper with 4 gold leafed medallions. (Original algorithmic procedures date from the early 1990's.) Los dibujos de la familia
  • Kluszczynski, Ryszard W.. Awangarda. Rozwaźania teoretyczne. Łódz: Wydawnictwa Uniwersytetu Łódzkiego, 1997.
  • Plot Against Time #3 (Insect Sonata (after Scriabin)), a single channel video, draws out the trajectories of insects in the my shady garden as they pass through beams of sunlight on a rare windless day in spring. The work's subtitle refers to early
  • Guasch, Anna María. La crítica de arte. Historia, teoría y praxis. Barcelona, Spain: Serbal, 2003.