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Subtitled Public
2005
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2005
Subtitled Public consists of an empty exhibition space where visitors are detected by a computerised surveillance system. When people enter the space, the system generates a subtitle for each person and projects it onto him or her: the subtitle is
BioArt - Art from the Laboratory
2011
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2011
BioArt – Art from the Laboratory, is a documentary about bioart. A co-production of styblo.tv, ORF and ARTE, © 2011. "BioArt – Art from the Laboratory" is representing ORF at the 2012 Rose d'Or Competition in Lucerne, as well as at the 2012
Stolen Life
2011
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2011
Two concepts have marked 21st century creation, the metaphysical consequence of which is obvious to everyone, despite their apparent differences. The first is the idea that it is the spectator who creates the picture and the second is that the
Breath
1991
Human breathing is a complicated mechanism that can be influenced so that people changes their peed of breathing. Breath is a virtual space in which the spectator experiences in a cybernetic world presenting images how breath mechanism can be
Mémoires Astrales d'un Homme Volant/Astral Memories of a Flying Man, 72 p. French/English
2002
Dominique Radrizzani and Ursula Perucchi and Danielle Chaperon and Angelika Affentranger and Alexander Hahn. Mémoires Astrales d'un Homme Volant/Astral Memories of a Flying Man, 72 p. French/English. Vevey/Switzerland: Musée Jenisch, 2002.
ISEA2000, 10th International Symposium on electronic Art: "Revelation"
2000
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2000
Under the theme of "Revelation", ISEA2000 explored the effects of the technological revolution on art and its impact on society through new forms of representation such as digital imaging, multimedia, the virtuality, interactive installations and
Micro Arts Group - Computer Arts Archive/EVA, BCS Moorgate London
2022
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2022
Exhibition of 20 Micro Arts Group prints, including generative art from Geoff Davis and Martin Rootes, and a story generator by Geoff Davis. The print magazine was also shown, which had the first ever view of Quantel art, by French artist Michèle
Bubble Order
1988
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1988
Length: 5min. 30sec. A stream of water recorded from two different camera angles becomes a cross on the screen. The movement of texts and digital wipe patterns in horizontal/vertical axis are coupled with the harmonic frequencies of a computer
db
2002
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2005
Ikeda's sound installation in an anechoic chamber is intended to quite physically explode the senses. Using the highest and lowest frequencies that human ears can bear, db is a hyper-dense composition of sine waves, white noise and other elements,
spectraII
2002
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2006
The installation relies on the intersection of sound and architecture and continues Ikeda's interest in phenomena - be they light, tone or sound - and how they materialise and manifest themselves in the world. The piece is built as a narrow,
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