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Dieu est-il plat ? / le Diable est-il courbe?
1995
Event: Dieu est-il plat ? / le Diable est-il courbe?Institution: MIMComment:
Dieu est-il plat?
1995
Event: Dieu est-il plat?Institution: Salon International d'Art Contemporain de StrasbourgComment:
Dieu est-il plat?
1993
Event: Dieu est-il plat?Institution: Musée Château d’AnnecyComment:
Difference Engine #3
1995
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1999
The Difference Engine #3 uses the architecture of the ZKM Media Museum as a 3D template and the visitors to the museum as the interface. It is an interactive, multi-user, sculpture about surveillance, voyeurism, digital absorption and spiritual...
Differenza ed estetica digitale: il glitch
2016
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2016
Differenza ed estetica digitale: il glitchArtist: Francesco AprileComment:
Differenza ed estetica digitale: il glitch
2016
Aprile Francesco. Differenza ed estetica digitale: il glitch. Vol.september 2016. Utsanga.it th ed.Italy: Utsanga.it, 2016.
Digicon '83
Event: Digicon '83Institution: Ars Electronica Linz GmbH & Co KGComment:
Digifest 2002
2002
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2002
Event: Digifest 2002Institution: Walter Phillips GalleryComment:
digital "Minuets and Polonaise"
1985
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1985
digital "Minuets and Polonaise" is a digital transcription of 6 of the 18 pieces from the Anna Magdalena Notebook (Klavier-Büchlein für Anna Magdalena Bach) by Johann Sebastian Bach.
Digital Accidents
2013
Series of 3D prints in polymer additive plaster, highlighting the interrelation between real objects and their 3D virtual counterparts. The 3D print "Inevitable Beauty" is subjected to a temporal maelstrom in its fabrication, while "Compulsive...
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