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  • Brighter Later -
    Brighter Later, was a temporary light installation commissioned for the Radcliffe Observatory at Green Templeton College as part of Tracing Venus, the University of Oxford’s Public Art Programme for the Radcliffe Observatory Quarter. Inspired by
  • Beyond Pages -
    Masaki Fujihata calls many of his works “experiments”. To him, BEYOND PAGES is a piece of art. This is among others due to the well-defined framework conditions that—contrary to many of his other works—are not designed as an open process. The
  • make-A-move - version2 -
    "make-A-move" is a site-specific, responsive, screen-based installation involving two encased flat screens, digital animation, software design, and physical interaction. Two automated portraits - a female and a male subject photographed by the
  • Romancing the Antibody
    Hershman, Lynn. Romancing the Antibody Kunstforum International 132 (November - January 1996): 158-167.
  • Virtuella Vatten-Varelser
    Ranlund, Sven. Virtuella Vatten-Varelser Goeteborg-Posten (November 15th 1996).
  • Digital Dialectics: A Hybrid Theory of Computer Media
    Lunenfeld, Peter. Digital Dialectics: A Hybrid Theory of Computer Media Afterimage 21 (November 1993): 5-7.
  • Eventstructure Research Group
    Shaw, Jeffrey. Eventstructure Research Group Studio International 178, no. 916 (November 1969): 183.
  • The Co-Opticon: Shared Access to a Robotic Streaming Video Camera
    Goldberg, Ken and Dezhen Song. The Co-Opticon: Shared Access to a Robotic Streaming Video Camera In ACM MultiMedia Conference, Berkeley, November 2003, Berkeley, CA: 2003.
  • Festival Ars Electronica
    Bureaud, Annick. Festival Ars Electronica Art Press (November 1991).
  • The Virtual Brewery Adventure
    Fisher, Scott S. and G. Fraser. The Virtual Brewery Adventure Computer Graphics 30 (November 1996): 4.
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