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Beiguelman, Giselle, ed. Tecnofagias: ciência de ponta/ ciência de garagem (III Mostra 3M de arte digital: Tecnofagias. / curator de Giselle Beiguelman). São Paulo/ Instituto Tomie Ohtake: Elo 3, 2012.

Beiguelman, Giselle. Espaços de Subordinação e Contestação nas Redes Sociais Revista USP , no. 92 (December/ February 2012): 20-31.

Bertram, Ursula, ed. Kunst fördert Wirtschaft: Zur Innovationskraft des künstlerischen Denkens. Bielefeld: transcript Verlag, 2012.

Stock, Mark. Flow simulation with vortex elements In Biologically-Inspired Computing for the Arts, edited by Anna Ursyn, 18-30. Hershey, PA: IGI Global, 2012.

Miller, J. Coleman and Ray Cabarga, ed. Aleatoric Art in the 21st Century. Houston, TX, USA: Blurb, 2012.

Ascott, Roy. The Future is Now: Art, Technology, and Consciousness. Beijing: Gold Wall Press, 2012.

Nils Jean. ‘Instructions’ catalogue essay for Fieldwork 2 RCA Visual Communication Researchers Exhibition catalogue (2012).

Rust, Stephen and Salma Monani and Sean Cubitt, ed. The Ecocinema reader: Theory and Practice. New York: Routledge/Amercian Film Institute, 2012.

Cubitt, Sean. Avatar and Utopia Animation 7, no. 3 (2012): 1-11.

Cubitt, Sean and Steven Partridge, ed. Rewind: Artists’ Video in Britain 1970s and 1980s,. New Bartnet: John Libbey, 2012.