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Elements of the MovieMovie (1966) were merged with a performance scenography made by John Lantham.

In an information-oriented society, the encoding of individual information occurs immediately, almost as fast as the satisfaction of a desire. Our consumption habits, our criminal history, our chronic diseases, even our photographs taken by a

In a public exhibition space (Art Basel Unlimited), von Bismarck spent a week on a paraboloid-shaped cement disc, which rotated around its own axis at a speed of fifteen revolutions per minute. He slept, ate, read, and talked on the telephone while

Do you know that feeling when you're looking at some non-descript object and suddenly a jolt hits you? You notice an incredible wealth of details! Something you thought was mundane is actually incredibly beautiful with surfaces and textures that

“Making of Eve Clone II” extracts a black-and-white grid image of the merged faces of Eve Clone and the Vitruvian Man from “Making of Eve Clone I”. This interactive installation learns to mimic human facial expressions through audience

Wooden Worlds is a multimedia performance, which is developed from the several different sound and visual layers, which interact with each other in real-time. Together they create an atmospheric constellation. The attention of the audience is

“Making of Eve Clone II” extracts a black-and-white grid image of the merged faces of Eve Clone and the Vitruvian Man from “Making of Eve Clone I”. This interactive installation learns to mimic human facial expressions through audience

Merging art with technology, conceptual artists George Legrady and Angus Forbes have transformed ubiquitous and often annoying cell phones into paint brushes for the 21st century. Their new multimedia video installation "Cell Tango" at Wellesley

In this installation, projection takes place on a dome screen inside an air-inflated igloo-like structure. Commissioned by and presented at the Kyoto Saga University of Art, this structure invites viewers to lie on the floor and look up at the