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Design for Information: An Introduction to the Histories, Theories, and Best Practices Behind Effective Information Visualizations
2013
Mereilles, Isabel. Design for Information: An Introduction to the Histories, Theories, and Best Practices Behind Effective Information Visualizations. Beverly, MA: Rockport, 2013.
The Brain Stripped Bare
2002
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2002
This work considers a future where we live simultaneously in multiple realities, where the boundaries between physical and virtual reality are blurred and thoughts are expressed telepathically. Advanced technology can provide an enhanced life
Bar Code Hotel
1994
Bar Code Hotel recycles the ubiquitous symbols found on every consumer product to create an multi-user interface to an unruly virtual environment. The installation makes use of a number of strategies to create a casual, social, multi-person
Magnet
1997
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1997
Interactive digital video projection environment 14 x 8 x 7 metres 2 large scale video projections, black and white, multi-channel interactive sound In collaboration with Stuart Jones (sound) Produced whilst Artist In Residence at the
fire_scape
2010
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2010
Public Art commission consisting of four panels with landscape images modelled with a landscape modelling software. Commissioned by Edmonton Arts Council, Edmonton, Canada, for the newly built Firestation No.5. Completed 2010 The top view images
Expanded Self
2012
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2012
Expanded Self has been realised for the documentary film 'Wir sind Planeten', produced by ServusTV-Terra Mater. Since 2008, Sonja Bäumel is exploring the human skin and its potential. This project is part of her on-going research and creative
Time: color
2019
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2019
video
‘Time: color’ consists of an immersive installation that seeks to modify our experience of time by converting hours into color. A set of chromatic clocks, each set to a different GMT time zone, projects, in a semicircle, the current time in their
SimTunes
1996
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1996
SimTunes is one of those wonderful programs that grows with the user. In essence, it is a paint program that doubles as a musical composition program--or vice versa. The user begins with a blank screen, or canvas and a variety of tools, paints, and
Fractured Visions: To See Again
2014
Event: Fractured Visions: To See AgainInstitution: MERGE FestivalComment:
Spacescapes
1989
In 1989, Eduardo Kac transmitted from Chicago his artwork Spacescapes via slow-scan television simultaneously to Pittsburgh (to the DAX Group) and to Boston (to a group led by Dana Moser). The transmission took place in the context of the Three-City
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