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Untitled & Untied
2020
-
2020
In
sta
llation that utilizes machine learning to reflect on systematic discrimination by focusing on the indefinite detention of Mexicans with Japanese heritage concentrated in Morelos during WWII. Thi
s a
lgorithmic discrimination system tear
s a
part
I̶n̛t͘e͟rf̕e̢ren̵ce
2019
-
2019
Interference – a network dropping out, white noise on screens – is seldom welcome. Yet without it, we might not encounter new perspectives or discover new
sta
rs. At Jodrell Bank Observatory, scientists regard interference as unhelpful noise or
The public sphere in the epoch of the algorithmic hyper-mediation: Fake News, disinformation, misinformation and the commodification of behavior
2018
Alvaro, Sandra. The public sphere in the epoch of the algorithmic hyper-mediation: Fake News, disinformation, misinformation and the commodification of behavior 17 (Nov 2018).
Phantom Waves
2021
The November 1973 issue of Scientific American featured an article titled “The Recognition of Faces” by Bell Labs re
sea
rcher Leon Harmon that explained how we perceive pixelated digital photographic images. Using a low-resolution, portrait of
Algorithmisiert
2014
Eckermann, Sylvia, ed. Algorithmisiert. Vienna: Czernin Verlag, 2014.
I'Myth: Zapping Zone
2004
-
2004
video
This study present
s a
n evolutionary system which generates images representing myths of human culture as synthetic identities. The myth
s a
re described by categorized term
s a
nd combined by genetic algorithms producing new individuals. Object
s a
re
Recombinant Figure
1986
-
1986
Digital video in
sta
llation 1 monitor colour, silent An interactive single monitor work with one computer, using simulated recombinant genetic algorithms. The viewer sees themselves reflected in a maze of mirrors within the work whilst the
Sacred Code
2003
-
2003
"Sacred Code" i
s a
rumination on three holy texts:The Old Te
sta
ment, The New Te
sta
ment and the Koran, as seen through a digital lens. In this new artwork, Napier has created algorithms that read these three books bit by bit, literally reading
Torso
1985
A work using simulated recombinant genetic algorithms. The piece used two live computed image sources for two of the monitors, one prerecorded computer animated sequence and two live video feeds from surveilance camera's in
sta
lled in the
spa
ce. A
Autopoeisis
2010
video
"Autopoiesis", 2010 mirror, surveillance camera, laser projector, proximity sensor, computer running custom face-tracking algorithms 20" x 14" x 7.5" / 51 x 36 x 19 cm edition of 6, 1 AP When people look at themselves in this
sma
ll mirror they see
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