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Outside in: exile at home. An algorithmic discrimination system. 2020

Castro, Annabel. Outside in: exile at home. An algorithmic discrimination system. artnodes 26, no. 26 (July 2020): 1-7.
Outside in: exile at home. An algorithmic discrimination system. 2020

Castro, Annabel. Outside in: exile at home. An algorithmic discrimination system. artnodes 26, no. 26 (July 2020): 1-7.
Outside in: exile at home. An algorithmic discrimination system. 2020

Castro, Annabel. Outside in: exile at home. An algorithmic discrimination system. artnodes 26, no. 26 (July 2020): 1-7.
Algorithmic Visualizations 2004 - 2005

Event: Algorithmic VisualizationsInstitution: Philbrook Museum of ArtComment:
it feels like home 2021 - 2021

“It feels like home” is an online intervention that uses the synthetic space of the browser as a stage to unfold an interactive, performative and generative virtual experience. Experimenting with the notion of time during a pandemic and isolation,
Outside in: exile at home. An algorithmic discrimination system.In: Andrés Burbano; Ruth West (coord.) AI, Arts & Design: Questioning Learning Machines. 2020

Castro, Annabel. Outside in: exile at home. An algorithmic discrimination system. In: Andrés Burbano; Ruth West (coord.) AI, Arts & Design: Questioning Learning Machines. artnodes , no. 26 (July 2020): 1-7.
Untitled & Untied 2020 - 2020

Installation that utilizes machine learning to reflect on systematic discrimination by focusing on the indefinite detention of Mexicans with Japanese heritage concentrated in Morelos during WWII. This algorithmic discrimination system tears apart
I̶n̛t͘e͟rf̕e̢ren̵ce 2019 - 2019

Interference – a network dropping out, white noise on screens – is seldom welcome. Yet without it, we might not encounter new perspectives or discover new stars. At Jodrell Bank Observatory, scientists regard interference as unhelpful noise or
The public sphere in the epoch of the algorithmic hyper-mediation: Fake News, disinformation, misinformation and the commodification of behavior 2018

Alvaro, Sandra. The public sphere in the epoch of the algorithmic hyper-mediation: Fake News, disinformation, misinformation and the commodification of behavior 17 (Nov 2018).
Phantom Waves 2021

The November 1973 issue of Scientific American featured an article titled “The Recognition of Faces” by Bell Labs researcher Leon Harmon that explained how we perceive pixelated digital photographic images. Using a low-resolution, portrait of

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