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Terraforms: Game Mods at Babycastles
2011
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2011
Event: Terraforms: Game Mods at BabycastlesInstitution: Showpaper GalleryComment:
ART’FAB: L’art-La femme-L’Europe. Saint-Tropez, Paris: Terrail
2006
.. ART’FAB: L’art-La femme-L’Europe. Saint-Tropez, Paris: Terrail . (2006).
Terrain 01
1994
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1994
A metal ring with 3-meter diameter is placed on the floor, and thirty to forty 20cm long insect like robots are moving in there. The robots start moving when activated as the solar sensors on their backs detect larger quantity of light. The robots
eavesdrop
2004
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2004
video
Presented in a 360-degree purpose-built cinematic environment, 10 people forever repeat a certain 9 minutes of their lives. Exploring terrain that is at once spiritual, moral, ethical, psychological and physical, this ingeniously crafted artwork is
net.flag
2002
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2002
"net.flag" is a flag for the Internet. Every nation on earth has a flag that identifies the territory of that nation, and the flag is a symbol of conquest of new territory. One of the most memorable images of the 20th century is a scene of the
Tim Otto Roth
For about 10 years Tim Otto Roth has worked on the photogram and belongs now to the few leading adepts of that medial outlaw. He studied among others with Floris M. Neusüss, whose anthological work he continues in the new form of the portal
Mapping the Terrain: New Genre Public Art
1994
Lacy, Suzanne, ed. Mapping the Terrain: New Genre Public Art. : Bay Press, 1994.
‘Local Eyes; Beyond Vague Terrain’
2012
Yee, Chris. ‘Local Eyes; Beyond Vague Terrain’ The Runner Magazine 2012 (January 2012): http://runnermag.ca/2012/01/local-eyes-beyond-vague-terrain/.
DE L’AUTRE CÔTÉ
2021
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2022
Multichannel audiovisual composition (3Ch-Video, 4.1 Ch-Audio) This audiovisual journey focuses on viewing a natural field from a different perspective, with the perception of subtle movements and sounds leading the viewers / listeners to a magical
Nouveaux terrains d’apparition
2013
Courchesne, Luc. Nouveaux terrains d’apparition In Cinéma. interactivité et société, edited by Jean-Marie DalletPoitiers/Bruxelles: 2013.
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