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  • Lozano-Hemmer, Rafael. Arte Virtual y Reactivo In Catálogo de Arte Virtual, Madrid, ES: Electa Edition, 1994.
  • De Holanda, Heloisa Buarque, ed. Quase catálogo 2: Artistas Plásticas no Rio de Janeiro 1975-85. Rio de Janeiro: CIEC / UFRJ, 1991.
  • DOMINGUES, DIANA MARIA G. Ciberarte: Zonas de Interação Catálogo II Bienal do Mercosul Julio Le Parc e Arte e Tecnologia 1 (1999): 39-42.
  • DOMINGUES, DIANA MARIA G and Adson ROCHA and Alexandre BARBOSA and A. L. C. G. de OLIVEIRA and C. TURELLY and Cristiano MIOSSO and Henrique Galvan DEBARBA and Tiago LUCENA and Maria Aparecida MATTOS. Ouroborus Biocíbrido: Geografismos do Extâse.
  • DOMINGUES, DIANA MARIA G. TRANS-E, My Body, My Blood Catálogo Isea - Chicago 1 (1997): 58-59.
  • Andres Burbano and Andres Jurado and Luis Blackaller and Ricardo Miranda Zuñiga and Sharon Daniel and Manuel Orellana Sandoval. CATÁLOGOS RAZONADOS IDARTES (2014).
  • Ricardo Miranda Zuñiga and Sharon Daniel and Luis Blackaller and Manuel Orellana Sandoval and Andres Jurado and Andres Burbano. Catálogos Razonados: Artes Medievales Convergencias y Tecnologías. Idartes (2014).
  • The powerful social aspect of Sermon’s work is visualized in the site-specific installation A Body of Water (1999), created for the exhibition Connected Cities, which has an atmosphere that borders on the eerie. In a chroma-key room set up in
  • The next period in Seaman's oeuvre employed video as a poetic technological vehicle, exploring sound, image and text relations within a slow pulsing hypnotic video space. Both linear tapes and video installations were produced. The tapes S.He
  • Babel -
    Babel is a site specific work for a non-site. The context of the work is non-physical. The site is an abstract thing...information space and the taxonomy of knowledge that all libraries represent...which the Internet, where the project is realised,