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  • Totem of Heavenly Wisdom
    To create this 5-channel video sculpture the artist searched for abstract forms and movements of the human body that trigger powerful associations with the processes of life and death, transforming images of "innocent" body parts into fetishistic
  • BIOMA -
    Conceived as a sculpture/interface that obtains biometric color and sound data from the environment. The work is activated with a noise level higher than the one configured to start making a visual sweep that is altered by the sound wave. With this
  • Langgpath -
    Kinetic sculpture that represents in real time the transfer of files from a database of moving bodies. Files of type BVH (biovision hierarchical files) are transferred between servers in the northern and southern hemispheres coinciding with the
  • Cypher -
    "Cypher" is an artwork that merges sculpture, artist's book and a DIY transgenic kit. It measures approximately 13 x 17 " (33 x 43 cm) and is contained in a stainless steel slipcase. When removed from the case, the kit — itself also made of
  • Beatriz Albuquerque
    Beatriz Albuquerque lives and works between Porto and New York and is known for her interdisciplinary practices between multimedia performance and installation. She was selected by Flash Art magazine as one of the 100 most relevant international
  • Gary Hill
    1973 first video experiments; in the 1980s starts a video program at the Cornish College of the Arts; since 1985 lives in Seattle (USA). Gary Hill is one of the most important contemporary artists investigating the relationships between words,
  • Public Communication Sculpture
    Fujimura, Noriyuki. Public Communication Sculpture In CAST01 Conference Bonn, Bonn, DE: 2001.
  • Jeffrey Shaw, a Users manual
    Penny, Simon and M. Fernandez. Jeffrey Shaw, a Users manual Sculpture Magazine (November 1998).
  • Systems Aesthetics and Cyborg Art: The Legacy of Jack Burnham
    Penny, Simon. Systems Aesthetics and Cyborg Art: The Legacy of Jack Burnham Sculpture Magazine (January 1999).
  • Peter William Holden
    It's hard to see a photograph physically fading, erasing itself with the bombardment of light but hold no doubts it is subtly becoming elusive like all we hold dear. I often find myself contemplating the fragility of the moment, and I believe this
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