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  • Lo Yo Yo -
    Lo Yo Yo is about the enormous volume of electromagnetic information which invisibly permeates the space we live in. The piece randomly scans the radio broadcast bands producing a real time five channel mix. Scanning controlled by an arbitrary,
  • Ceci n'est pas un oiseau is a projection installation comprising a specially built animation projector and a system of four automated semi-transparent screens. The projector projects a looped series of images of a cockatoo in flight onto the four
  • Bedlam
    BedlamArtist: Simon PennyComment:
  • Petit Mal
    An interview with Artist Simon Penny about his robotic sculpture, Petit Mal.
  • Penny, Simon. From A to D and Back Again: The Emerging Aesthetics of Interactive Art In Next Wave Festival/ Perception and Perspective, edited by Australia National Gallery of VictoriaMelbourne, Australia: 1996.
  • Penny, Simon. Prefiguring Cyberculture, an intellectual history In Traces, edited by Darren Tofts and Annemarie Jonson and Alessio CavallaroCambridge, MA: MIT Press, 2004.
  • Drucker, Johanna. Simon Penny Art Journal 56, no. 3 (Fall 1997).
  • Tenhaaf, Nell. Of Monitors and Men and Other Unsolved Feminist Mysteries: Video Technology and the Feminine In Critical Issues in Electronic Media, edited by Simon Penny, 219-233. Buffalo, USA: Suny Press, 1995.
  • Penny, Simon. Electronic Arts Practice: Experiences in Australia and the USA Continuum - Electronic Arts in Australia 8, no. 1 (1994).
  • Penny, Simon. Automatisiertes kulturelles Spiel. Versuch einer Systematisierung der interaktiven Kunst In Schöne neue Welten? Auf dem Weg zu einer neuen Spielkultur, edited by Florian Rötzer, 265. München: Boer Verlag, 1995.