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  • eMoving Stills -
    La Mécanique des émotionsest un grand récit en œuvres: performances, sculptures, installations, machines... eMoving Stills sont comme un film sous-titré dont les photogrammes ponctueraient les étapes, semant les indices d'interprétation d'une
  • the conversation -
    ralf baecker the conversation, 2009 99 solonoides, custom electronics (microcontrollers/drivers), strings, rubberbands, wires Production support: LABoral Centro de Arte y Creación Industrial, Gijón This work is part of a series of
  • BRAIN FACTORY PROTOTYPE
    With Brain Factory Prototype, Maurice Benayoun and Tobias Klein have produced a very specific installation — a mechanism designed to transform abstract things into concrete objects with the participation of the spectator. An installation/tool, it
  • ABSTRACT SHOTS
    The ABSTRACT SHOTS are some of the outcomes of the BRAIN FACTORY that gave the exhibition spectators in Paris, Seoul, Brisbane and Hong Kong the possibility to become “brain-workers”. Using no hands and no words, they gave a shape to human
  • SUSPENSION – CIRCLE-SQUARE
    video 6,’42 Images of material objects (sculptures by Alen Ožbolt) are digitally processed and projected into virtual, fluid spatiality, appearing as dematerialised floating, kinetic light forms, freed of the constraints of time, mass and gravity.
  • Marta de Menezes
    "Marta de Menezes is a Portuguese artist (b. Lisbon, 1975) with a degree in Fine Arts by the University in Lisbon, a MSt in History of Art and Visual Culture by the University of Oxford, and a PhD candidate at the University of Leiden. She has
  • VideoFest '92
    Also with the VideoFest ‘92, the MedienOperative claimed to reflect the development of international video culture and to represent a rich variety of genres – productions, sculptures, or selections from fields like interactive media and computer
  • Masaki Fujihata
    Masaki Fujihata is one of the pioneers of Japanese new media art, beginning his career working in video and digital imaging in the early 80s. As an early practitioner of the application of new technologies to the process of artmaking, he was one of
  • ARTEC 95 -
    Three main categories emerged in ARTEC '95: 1. sculptures and environments emulating life or protolife; 2. portraits and interpretations derived from the world at large; and 3. performances and displays of invented image. The Biennale continued to
  • DIGITAL MONSTERS DON'T BLEEDSolo showSpatial object, 1700 x 500, paper tubes, sound, video, 2 gold plated sculptures (15 x 50).
    Event: DIGITAL MONSTERS DON'T BLEEDSolo showSpatial object, 1700 x 500, paper tubes, sound, video, 2 gold plated sculptures (15 x 50).Institution: Kunstraum BernsteinerComment:
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