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I N S N (H) A K (R) E S
2000
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2000
This installation was mounted in November 2001 in Athens, Greece, during the media@terra event, as a Brazilian representation artist. DOMINGUES, Diana . INS(H)NAK(R)ES. Media@Earth 2000, Athens, p. 37-38, 2000
Hayward Gallery Projects
1971
Three proposals for sculptures on the Hayward Gallery in London: a heap of giant inflatable potatoes on the terrace, an inflatable dome covered with a film projection which constituted a sphere of daytime sky during the night, and the whole building
History Appartus
2014
In separate installations of the History Apparatus, the artist planted in each location a stump from a tree that had lived over a hundred years: on the central square of Neumarkt in the town of Arnsberg and on the terrace of the Neue Nationalgalerie
Antoine Schmitt
Heir of cybernetic art, artist and programmer, Antoine Schmitt uses programming as a material to produce installations, CD-ROMs, online exhibitions, and performances in which he confronts the public or performers with autonomous abstract dynamic
Medi@terra 2001: De-globalizing / Re-globalizing
2001
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2001
Medi@terra 01 was a travelling Festival. Its "historic journey" started from Lavrion and ended in Frankfurt (at the International Book Fair) having crossed the Balkans, and having met the artists, scientists, state agencies, universities,
Medi@terra 2002: New Platforms
2002
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2002
The aim of the events, in the context of Mediaterra 02, is to promote environments that advance communication and the universality of culture and to demarcate, record and project new standards of artistic expression and communication. (source:
Terraforms: Game Mods at Babycastles
2011
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2011
Event: Terraforms: Game Mods at BabycastlesInstitution: Showpaper GalleryComment:
ART’FAB: L’art-La femme-L’Europe. Saint-Tropez, Paris: Terrail
2006
.. ART’FAB: L’art-La femme-L’Europe. Saint-Tropez, Paris: Terrail . (2006).
Terrain 01
1994
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1994
A metal ring with 3-meter diameter is placed on the floor, and thirty to forty 20cm long insect like robots are moving in there. The robots start moving when activated as the solar sensors on their backs detect larger quantity of light. The robots
eavesdrop
2004
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2004
video
Presented in a 360-degree purpose-built cinematic environment, 10 people forever repeat a certain 9 minutes of their lives. Exploring terrain that is at once spiritual, moral, ethical, psychological and physical, this ingeniously crafted artwork is
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