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  • Light objects Series 'Mirrors of the Unseen (MotU)' The term "to see" is often used in common speech synonymously with "to understand" or "to grasp". The phrase ,"If I'm seeing this correctly," is used to signify understanding in consensus with
  • Ovid - video
    Video installation Series 'Bags' A text from the sixth book of Metamorphoses runs from the foreground to the background on a three-dimensional "screen" consisting of 39 shopping bags. The tale of the weaving contest between Pallas Athena and
  • Professor of cultural and media studies at Lodz University, Poland, where he is a Chair of School of Media and Audiovisual Culture. Professor at the Academy of Fine Arts in Łódź. 2001 – 2006: Professor of Media Art and Media Theory, Academy of
  • Là bas... -
    In Là-bas… (There…) the artist Claudia Robles-Angel provides an installation focussing on the transition from light to darkness, interweaving sound and silence. Là-bas… can hardly be consumed in an instant while passing by. Every visitor should
  • .. his artistic development between research in the humanities, multi-sensory engineering and collaborative practice in the fields of digital art and theatre ..
  • Nigel Helyer (a.k.a. Dr Sonique) is an Australian based Sculptor and Sound Artist with an international reputation for his large-scale sonic installations, environmental sculpture works and new media projects. His practice is actively
  • I have always been deeply interested in the viewer, pondering why some people engage with art while others do not. This curiosity led me to start asking questions directed at the audience. For one project, I asked, "What did you do today?" In this
  • Grau, Oliver. Media Art's Challenge for our Societies In The Challenge of the Object: 33rd Congress of the International Committee of the History of Art, edited by Ulrich Großmann, 990-994. Nürnberg: Verlag des Germanischen Nationalmuseums, 2013.
  • Grau, Oliver and Thomas Veigl. Media Art's Challenge to our Societies In Imagery in the 21st Century, edited by Oliver Grau, 310-371. Cambridge, MA: MIT-Press, 2011.
  • .. In the context of the 1960’s paradigm of installation he started with expanded cinema, performance and participatory environments..