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  • Digital Accidents
    Series of 3D prints in polymer additive plaster, highlighting the interrelation between real objects and their 3D virtual counterparts. The 3D print "Inevitable Beauty" is subjected to a temporal maelstrom in its fabrication, while "Compulsive
  • Faceless -
    The FACELESS Project interrogates the culture of surveillance by redeploying authentic CCTV images recorded in London, the most surveilled city on Earth. These images are heavily inscribed by laws relating to privacy and freedom of information, and
  • 1985 Summer Show -
    Micro Arts Group works by Geoff Davis shown on a continuous display. Works show were MA1 "Abstract Originals" (generative graphics with colour control) and MA4: Story Generator (text story generator based on short story Cow Boils Head)
  • Advent (Electric Art)
    Gillman, Clive. Advent (Electric Art). London: Ellipsis, 1999.
  • pinwheels -
    The pinwheels project continues the study of Ambient Fixtures to communicate digital information at the periphery of human perception through ambient media. This project takes fields of pinwheels and explores what arrangements create interfaces that
  • Digital Accidents
    Series of 3D prints in polymer additive plaster, highlighting the interrelation between real objects and their 3D virtual counterparts. The 3D print "Inevitable Beauty" is subjected to a temporal maelstrom in its fabrication, while "Compulsive
  • Eighty Seven Questions About Artistic Research
    Caviezel, Flavia & Schwander, Markus and Pat Badani, ed. Eighty Seven Questions About Artistic Research. Vol.ELIA Conference: Economies of aesthetics. https://issuu.com/swissartisticresearchnetwork/docs/170602_sarn_87-questions_epub_doppe th
  • Biotica: Art, Emergence and Artificial Life
    Brown, Richard and Lane Giles, ed. Biotica: Art, Emergence and Artificial Life. London: RCA Computer Related Design Research, 2001.
  • The Art of the Thinking Space
    Strauss, Wolfgang and Monika Fleischmann. The Art of the Thinking Space In Digital Creativity, edited by Anthony BrooksVol.31:3. DOI: 10.1080/14626268.2020.1782945, , 156-170. London: Routledge, 2020.
  • The Performative Interface What You Get Is What You Did Not See
    Fleischmann, Monika and Wolfgang Strauss. The Performative Interface What You Get Is What You Did Not See In The Bloomsbury Encyclopedia of New Media Art, Volume 2: Artists and Practice, edited by Paul ThomasVol.2. , 108-131. : Bloomsbury London,
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