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  • I N S N (H) A K (R) E S -
    The site provides a collaborative network action allowing telepresence and telerobotics. The robot is an agent that inhabits and acts in the physical world. Connecting the website address: http://artecno.ucs.br/insnakes makes it possible for the
  • Christophe Bruno
    Christophe Bruno lives and works in Paris. He began his artistic activity in September 2001. His polymorphic work (installations, performances, conceptual pieces…) has a critical take on network phenomena and globalisation in the field of language
  • Cyberstar winner from OZ
    Fleischmann, Monika. Cyberstar winner from OZ DESIGN, I3 Magazine, EU ESPRIT projects (1998): 666-669.
  • Cybertext Yearbook 2002-03
    Markku Eskelinen and Raine Koskimaa, ed. Cybertext Yearbook 2002-03. Finland: University of Jyvaskyla, 2003.
  • Cybertheatre, Postmodernism, and Virtual Reality
    Fischlin, Daniel and Andrew Taylor. Cybertheatre, Postmodernism, and Virtual Reality Science Fiction Studies 21.1 (1994): 1-23.
  • Cybertheatre: Forum of Resistance
    Fischlin, Daniel and Andrew Taylor. Cybertheatre: Forum of Resistance Border Crossings (Fall 1993): 49-51.
  • THEYNUKED MY LETTUCE! - video
    A cautionary tale in Machinima style, Nicole Stenger's last movie, is a light & dark fantasy about the theme of Cyberwar. (Based on a true story). 5 minutes.
  • Strange Days -
    Shirley Shor > CryptoMania Opening Reception: Thursday, November 30, 2017, 20:00 Curator: Yaron Haramati CryptoMania brings the cyberworld and human/machine relations in the post-digital age into the world of art. Shor explores abstract themes like
  • Transmedia Storytelling and Online Representations–Issues of Trust on the Internet.
    Kronman, Linda and Andreas Zingerle. Transmedia Storytelling and Online Representations–Issues of Trust on the Internet. Cyberworlds (CW), 2011 International Conference (2011): 144-151.
  • Station Rose
    Station Rose/STR was founded in Vienna, Austria, in 1988 by Gary Danner (sound) and Elisa Rose (visuals). As one of the first digital groups worldwide Station Rose have used the potential of live audio visual media and the internet for performing in
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