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  • Reichardt, Jasia, ed. Cybernetics, Art and Ideas. London: Studio Vista, 1971.
  • Claudia Robles-Angel is an interdisciplinary artist born in Bogotá-Colombia, currently living in Cologne-Germany and active worldwide. Her work and research cover different aspects of visual and sound art, which extend from audiovisual
  • Karsten Schmidt, also known as Toxi, is the director of Post Spectacular, the London-based design studio. At the heart of his practice lies the use of code as a creative tool and open-source technologies. Schmidt believes in building his own tools,
  • The Concourse Gallery, ed. Vera Molnar - Transformations. Exhibition Catalogue. London: Polytechnic of Central London, 1976.
  • I am an Artist and Animator. Originally from London, and graduating from a BA in Fine Art, I started exhibiting my sculptures in clubs and galleries in London in the early 90's. I collaborated with other Artists and musicians in the electronic music
  • Goldin+Senneby (since 2004) is a framework for collaboration set up by artists Simon Goldin and Jakob Senneby; exploring juridical, financial and spatial constructs through notions of the performative and the virtual. Their collaboration started
  • Pam Skelton is a media artist, professor and researcher. Is Professor at Central Saint Martins College of Art & Design and Research Associate at the Photograph and the Archive Research Centre, London. Studied at Southport School of Art Camberwell
  • Burks, Arthur, ed. Theory of Self-Reproducing Automata. Urbana, London: University of Illinois Press, 1966.
  • Whitney, John. Bewegungsbilder und elektronische Musik In Heft 7 - Forum - Raum, edited by Herbert EimertVol.7. Die Reihe, Wien, Zürich, London: Universal Edition Wien, 1960.
  • Swanson, Kara. Biotech in Court: A Legal Lesson on the Unity of Science. Los Angeles, London, New Delhi and Singapore: Social Studies of Science, 2007.