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  • Palo Alto -
    ... populated by vague minimalist shapes is supervised by a Bentham-esque panopticon tower in the center. The shape of the environment tells the story of its computational origin. Blank avatars fall from the sky, while others randomly run across the...
  • ... remains directly opposite the screen. The projection shows a mix of two identical video loops depicting the transitory urban environment. The speed of one loop is determined in advance, while the other is controlled by a joystick placed in the hands of the...
  • ... and were manipulated in real-time by the computer to deform shape, time reference, and showing a different time-space environment on each monitor. With tens of thousands of people passing through this public space every day, I wanted to make a...
  • ... channels by bringing in absurd and surreal human experiences. “Magic Eye- Dissolving Borders” is a variable environment where participants can experience bizarre forms of interactions and communications. Six old style radios from the 1950ies...
  • ... consortium. Hiroshi’s research focuses upon the design of seamless interfaces between humans, digital information, and the physical environment. His team seeks to change the “painted bits” of GUIs to “tangible bits” by giving physical form to digital information. In...
  • ... integration of users into and interaction with these historic images. As a user of the system steps into the installation environment he will find himself projected onto the screen in front of him and three-dimensionally integrated into these images. When...
  • Time and Time again -
    ... From a corner of the installation space this "main characterŠ of the piece observes participants' interactions with the environment and speculates on the nature of the symbiosis between humans and technology. Cameras behind her eyes stream live to the...
  • Crosstalk -
    ... by Hadi Mehrpouya. 'Crosstalk' is for two performers whose movement and speech are re-mediated within an augmented environment employing real-time 3D motion tracking, multi-source voice recognition, interpretative language systems, 3D visualisation...
  • Magnet -
    ...Interactive digital video projection environment 14 x 8 x 7 metres 2 large scale video projections, black and white, multi-channel interactive sound In collaboration with Stuart Jones (sound) Produced whilst Artist In Residence at the University of Canterbury,...
  • ...Interactive digital video projection environment 12 x 12 x 6 metres 2 large scale video projections, colour, multi-channel interactive sound In collaboration with Sue Hawksley (Choreography) and Stuart Jones (sound) Produced by Victoria Preston Associates,...