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New Collecting: Exhibiting and Audiences after New Media Art
2014
Graham, Beryl, ed. New Collecting: Exhibiting and Audiences after New Media Art. London: Ashgate, 2014.
What We See & What We Know.Thinking About History While Walking, and Thus the Drawings Began to Move…
2009
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2009
The National Museum of Modern Art, Kyoto (MoMAK), is pleased to announce on the behalf of the National Museum of Modern Art, Tokyo (MOMAT) and the Hiroshima City Museum of Contemporary Art (Hiroshima MOCA) the upcoming exhibition, William
EZTV Media
1979
Performance + Internet = Comunicação + Audiencia
2011
Albuquerque, Beatriz. Performance + Internet = Comunicação + Audiencia In Internet y Performance, Negociaciones entre Cuerpo, Virtualidad y Telepresencia, edited by Silvio GarciaBuenos Aires: Ediciones Al Margen, 2011.
3-d International video-art festival in public spaces
2006
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2006
3-d International video-art festival in public spaces Organizers & festival team are Invite artists working with video, animation and new media to participate in the project: Festival dates, June 5 - July 5, 2006 Festival place Moscow, Saint
Which one is true?
2019
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2019
Reality has become more precious with the advent of artificial intelligence. We are now living in the era of post-truth and is bombarded by fake news and manipulated by social media. With the advent and popularization of artificial intelligence used
Media Forum 2001
2001
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2001
Media Forum is now in its second year which is certainly no anniversary. However, this brings its organizers both a great happiness and some significant difficulties. We are happy because the pilot issue of the Media Forum 2000 programme claims now
Sonic Antarctica
2009
„Sonic Antarctica“ features natural and industrial field recordings, sonifications and audifications of science data and interviews with weather and climate scientists. The areas recorded include: the „Dry Valleys“ (77°30’S 163°00’E) on the shore of
Telematic Encounter
1996
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1996
Two dispersed installations are connected via an ISDN teleconferencing link, enabling audio and video communication between the two sites. The first installation (location 1), the main gallery installation consists of a table and chair on a carpet
Points of View II - Babel
1983
Points of View II - Babel addressed issues relating to the Falklands War. It was made using the same functional and iconographic structures as Points of View I, but with a differing content.In BABEL hieroglyphs were used to articulate a
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