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  • A web site, on the theme of viral infection, exploring issues around HIV/AIDS through contributions in both text and image from web users/artists and through associated workshops and events. (http://www.sof.org.uk/artists/martin3.htm)
  • Sea-Changes -
    In Sea-Changes (1997-98) artists age 50 or over, from a variety of disciplines, were invited to submit personal biographical materials to a common database. The original idea was to have them use that database as a basis from which create fictional
  • Zapp, Andrea. See you online! In Jugend auf dem Datahighway, edited by Fred Schell and Bernd Schorb, 62-68. München, DE: kopaed verlags gmbh, 1995.
  • The society is always changing in a consequence of complex patterns of influences. The changes do not occur in a smooth flow but happens at different speeds at different times. The development of technology is given great importance in the history
  • SelfieSaoPaulo -
    A site-specific project for a media facade in Sao Paulo, Brazil, for the 2014 SP_Urban Festival. Together with Moritz Stefaner and Jay Chow. The project develops further the ideas from Selfiecity published early in 2014. For SelfieSaoPaulo,
  • Maria Hernandez was a Bushwick activist murdered for her fight to free the area of drug use. In 1989 Bushwick Park was renamed “Maria Hernandez Park” to commemorate her memory, but the artist could not find any image of her on the Internet. This
  • sexBot is an exploration into the nature of technologically mediated encounters. It seems the more alienating a communication technology; the more its users are able to project their own erotic fantasies onto their experience. Using voice
  • “Shades of Absence: Governing Bodies" Addresses artists who have been censored by - or due to threats by - high members of the U.S. government. Premiered in 2013 at "Manifest:AR," curator Joseph Hale, Corcoran Gallery of Art/Corcoran School of Art
  • SIAF2020 Team of Directors, Taro Amano, Agnieszka Kubicka-Dziedszycka, and Kanoko Tamura
  • Silence -
    From the entrance into the site, the announcement “Noise = absence of language = silence” warns us that the limits of our understanding will be scrambled and the paths followed will be flavoured with the sweet absurdity of surrealism. Then a thin