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Stenslie Stahl
Stenslie Stahl is working on the development of different interface technologies and tools for the digital culture within the fields of art, media and network-research. Lives and works as media artist, curator, scientist and media researcher in Oslo
Tactile Temptations: About Contemporary Art, Exhibitions and Tactility
2008
Huhtamo, Erkki. Tactile Temptations: About Contemporary Art, Exhibitions and Tactility In Interface Cultures: Artistic Aspects of Interaction, edited by Christa Sommerer and Laurent Mignonneau and Dorothee King, 129-139. Bielefeld: transcript,
"Reinventing Image-Making" exhibition
2022
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2022
Exhibiting artists: - Art Ex Machina (KAWANO Hroi shi, Georg NEES, Ken KNOWLTON, Manfred MOHR, Frieder NAKE, Manuel BARBADILLO) - KIMOTO Keiko - FUJIHATA Masaki - Tamás WALICZKY Curated by: TADA Kaori (Tokyo Photographic Art Museum) Curatorial
CrossWorlds
2008
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2008
For me, as an artist working with software CONSPIRE is first about encoding. As an ex-soviet, I perceive CONSPIRE in the same time like a dissident’s practice (an other way of encoding!) and like a monitoring following by manipulation – all kind of
metaView
1998
video
metaView is a web viewer that displays information contained within the HTML tags which is typically not displayed in regular web browsers. metaView was first shown at the New Media Centre at the Institute of Contemporary Arts, London, UK in 1998.
Suite For Mobile Tags
2009
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2011
Suite for Mobile Tags is a project based on QR-Code (Quick Response Code), which proposes an exercise of random and anonymous collective musical composition. For the implementation of its first movement, there is a set of eight mobile tags embedded
Proverbs
2011
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2011
As part of a public art commission, Olga Kisseleva installed a digital artwork in the patio of the Tulle mediathèque. "CrossWorlds Proverbs" is a composition of electronic tags based on proverbs on the subject of knowledge. The electronic tag is a
Pier Giorgio De Pinto
The work of the Italian artist Pier Giorgio De Pinto thrives on the relationship between representation and concept in a constantly and suddenly changing image-based society in search of a new identity. Since the sixties, recent changes have been
The Exceptional and the Everyday: 144 hours in Kyiv
2014
Over a few days in February 2014, a revolution took place in Kyiv, Ukraine. How was this exceptional event reflected on Instagram? What can visual social media tell us about the experiences of people during social upheavals? If we look at images of
Blue Stage
2001
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2001
Sound, film, music, photography and images, text: the Blue Stage interactive installation presents an innovative model for the multimedia representation of cultural themes. Here, new kinds of interaction of between man and networked knowledge are
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