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Arte em Sintonia, GRANDES NOMES DA ARTE DO RIO GRANDE DO SUL 2020 - 2020

Simone Michelin is interviewed by the artist Liana Timm, in her program about great names of Brazilian Contemporary Art, born in Rio Grande do Sul.
Gardens of the Anthropocene 2016 - 2017

The augmented reality (AR) installation Gardens of the Anthropocene posits a science-fiction future in which native aquatic and terrestrial plants have mutated to cope with the increasing unpredictable and erratic climate swings. The plants in the
The Seaman and the Tattered Sail - Light Folds - Seaman with Craig Tattersall - Double Album/Double CD/Audio DVD 2013

Light Folds Craig Tattersall and Bill Seaman The Seaman and the Tattered Sail Available as a digital Release: https://facture.bandcamp.com/album/light-folds-2 The audio process Light Folds by The Seaman and The Tattered Sail is a collaboration
February 29, 1993 v02 1993 - 1993

Archival Digital Print, Sizes: 8”x10” and 13”x19” Epson Pigment inks on cotton rag substrate or Light Jet digital photo prints. (plus custom sizes or NFT by special order) Date created: 1993 Victor: I got a whimsical satisfaction in naming this
Janet Cardiff

Janet Cardiff was born in Brussels, Ontario in 1957. She began her formal art studies at Queen's University, where she earned her bachelor's degree in 1980. In 1983, she earned a master's degree in Visual Arts from the University of Alberta. During
Nastop namišljenega umetnika Ursa Bolda 2019

Grafenauer, Petja. Nastop namišljenega umetnika Ursa Bolda Dnevnik, 23. 11. 2019 (2019).
Nastop namišljenega umetnika Ursa Bolda 2019

Grafenauer, Petja. Nastop namišljenega umetnika Ursa Bolda Dnevnik, 23. 11. 2019 (2019).
Nastop namišljenega umetnika Ursa Bolda 2019

Grafenauer, Petja. Nastop namišljenega umetnika Ursa Bolda Dnevnik, 23. 11. 2019 (2019).
Extimidad. Arte, Intimidad y Tecnología. / Extimacy. Art, intimacy and technology 2011 - 2011

Inside the immense flow of data exchange, the new technologies have facilitated an interdependency between the spheres of what is private and what is public, between interior and exterior, leading us to reveal, in an increasingly natural manner, our
Nastop namišljenega umetnika Ursa Bolda 2019

Grafenauer, Petja. Nastop namišljenega umetnika Ursa Bolda Dnevnik, 23. 11. 2019 (2019).

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