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God’s Will or Human Desire: The Irony and Criticism in Lin Pey-Chwen’s Eve Clone series
2010
Chih-Yung, Chiu. God’s Will or Human Desire: The Irony and Criticism in Lin Pey-Chwen’s Eve Clone series https://www.academia.edu/37253134/God_s_Will_or_Human_Desire_The_Irony_and_Criticism_in_Lin_Pey-Chwen_s_Eve_Clone_series.docx.
Chih-Yung Aaron Chiu, “God’s Will or Human Desire The Irony and Criticism in Lin Pey-Chwen’s Eve Clone series”
2017
Chih-Yung Aaron Chiu. Chih-Yung Aaron Chiu, “God’s Will or Human Desire The Irony and Criticism in Lin Pey-Chwen’s Eve Clone series” “God’s Will or Human Desire The Irony and Criticism in Lin Pey-Chwen’s Eve Clone series” (2017).
Dreams Rewired
2015
DREAMS REWIRED traces the desires and anxieties of today’s hyper-connected world back more than a hundred years, when telephone, film and television were new. As revolutionary then as contemporary social media is today, early electric media sparked
GLITCHES_DIARIES of PURE_DESKTOP
2011
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2017
GLITCHES_DIARIES of PURE_DESKTOP The installation explore the visual representation of data: I was capturing screenshots of my desktop´s activities during 6 months. The obtained images were manipulated with algorithms and recaptured in order to
Computer Identity
2003
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2012
Computer Identity was an interactive digital internet-based artwork that was created by Beatriz Albuquerque in 2003-2005 (http://computeridentity.no.sapo.pt/). It was 1st presented to audiences in 2005 at BaseSpace, Chicago, The School of the
Recombinant Icon
2003
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2003
This work was made in response to Patrick Lichty's request for a web based artwork which would critically address the icon, an essential element in most graphical user interfaces found in computer operating systems today. Recombinant Icon refers
How we Became Metadata
2010
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2010
Artists Martin John Callanan, Corby & Baily and Jonathan Mackenzie, Eunju Han, Eduardo Kac, susan pui san lok, Ruth Maclennan and Uriel Orlow, and Thomson and Craighead What is Metadata? As the exhibition outlines, it is data about data,
DESLOCAMENTOS DO EU: O AUTO-RETRATO DIGITAL E PRÉ-DIGITAL NA ARTE BRASILEIRA (1976-2001)
2001
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2001
Event: DESLOCAMENTOS DO EU: O AUTO-RETRATO DIGITAL E PRÉ-DIGITAL NA ARTE BRASILEIRA (1976-2001)Institution: Itaú Cultural InstituteComment:
Order and Rhythm
2020
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2020
Event: Order and RhythmInstitution: Austin Desmond Fine ArtComment:
Imaginary Workspaces
2022
Imaginary Workspaces is a series inspired by dystopian science fiction narratives as written by Stanislaw Lem and Philip K. Dick that imagine fictional industrial workspaces. This collection of invented images oscillate between retro futuristic
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