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Everything could be so much better!
2013
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2013
video
With this work Elke Reinhuber is imagining a world in which only robots are extant. They are continuously repeating the phrases which they learned while humans were only wondering how our planet could be saved. The immersive installation lures the
Plasm: Not a Crime
1998
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1998
"Plasm: not a crime" is the artistic statement of Peter Broadwell and Rob Myers that sharing secrets is not a crime. It used to be that most interactions between people took place face to face. If you had a desire to keep something confidential,
ZOONE
1985
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1985
Media environment Shown at Amerlinghaus Vienna (A) in the context of the "Computerkulturtage" When the elephant falls from the tree, the ants die. Zoone- zone, zoo Computer images quickly animate a composition scheme with rhythm changes- Screen 1
Sustainable Cinema No. 4: Shadow Play
2011
video
The silhouettes of the ancient art of Shadow Play are achieved by light penetrating a translucent screen, and this sculpture uses the rotation of the windmill as the power to generate the backlight for the presentation. Additionally, the wind turns
Der Schrei
2012
A yellow, two-meter-high siren slowly rotates around its own axis and produces a constant, penetrating, cyclical stream of sound that is modulated by the turning of the horn. Its powerful acoustic waves cause objects in the exhibition space to
UNSEEN UNHEARD
2020
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2020
video
Unseen brings to light from darkness, the metaphorical images of the invisible, pervasive viruses penetrating our world. By rendering these transformations perceptible a sequence of configurations emerges: First sweeping the earth, unfolding up
Modulating Territories, Penetrating Boundaries
2010
Hosale, Mark-David and Chris Kievid. Modulating Territories, Penetrating Boundaries Footprint 6, no. 55- 67 (Spring 2010): 12.
Mediadrive after ICT Penetration of the Tokyo Environment / Mediadrive nach der IKT-Durchdringung der Tokioter Szene
2001
Okada, Tomohiro. Mediadrive after ICT Penetration of the Tokyo Environment / Mediadrive nach der IKT-Durchdringung der Tokioter Szene In Ars Electronica 2001: TAKEOVER - Who´s Doing the Art of Tomorrow? / Wer macht die Kunst von morgen?, edited
La Membrane
2000
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2000
Conception et réalisation du dispositif central, en interaction totale avec le visiteur selon des principes d'"architecture organique". "La membrane est un dispositif organique constitué d'un ensemble de surfaces virtuelles souples, mouvantes qui
Chengdou Biennale 2021, China
2021
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2022
Exhibition location: Chengdu Contemporary Art Museum, Tianfu Art Museum, China Chief Curator: Fan Di'an Director of Academic Committee: Lu Peng
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