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  • Allen, Rebecca. Memory Palace In The Global Mind - Art Futura 92, edited by Algora MontxoBarcelona: 1992.
  • "Roman Verostko, a founding member of the algorists, has practiced drawing and painting since graduating from the Art Institute of Pittsburgh in 1949. Reflecting on well over a half century of his work he sees continuity between drawing with his
  • Cyberflower IV, 4. 29" by 23", 2000. Algorithmic pen and ink drawing on paper with artist's studio seal in red. The seal characters read "Little Path Studio" for "Pathway Studio" “Cyberflowers” son flores digitales cosechadas desde el universo
  • Biometric identificationsystems like Irisscanning use mathematical methods to identify personal characteristics. The BiometricSoundEngine works the same way. Personal data like the color information of the human iris is not used for surveillance or
  • sensegenerator -
    Sensegenerator recombines basic blocks of the german language to form sentences with fresh and unexpected meaning. The physical state of person gives clues for the complexity of the new sentence's structure. Words were sampled from arbitrary
  • This work is a tribute to the Japanese artist Katsushika Hokusai, whose woodblock print "The Great Wave off Kanagawa" (c. 1829-32) is not only one of the most-recognized pieces of Japanese art, but is also appreciated by turbulence researchers as an
  • Scarlet(t) -
    This work uses a feature tracking algorithm to extract Scarlett Johanssen’s iconic lips from the costume drama “Girl with a Pearl Earring”. Extracting this one signifier, Scarlett’s mouth, wrenches the true subject of the movie – her lips, and their
  • Search Detection, 2012 LED Matrix, arduino processor, wooden cabinet, computer, Internet connection Variable size, can cover between 1 and 3 m of wall space Ed. 1/3, 1 AP Live digital streams that display the results of a search algorithm using the
  • Robotics Research: A common task in automated manufacturing processes is to orient parts prior to assembly. We consider sensorless orientation of a polygonal part by a sequence of fences. We show that any polygonal part can be oriented by a sequence
  • Couchot, Edmond. Between Trance and Algorithm In Trans-E: My Body, My Blood: Interactive Installation, edited by Diana Domingues: Universidade de Caxias Do Sul - Brazil, 1997.